Muundo Great Blue Hole Mkufu na Jung Ki Min ni mshindi mashuhuri wa tuzo ya kifahari ya 2026 Tuzo ya Shaba ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Vito na Mapambo.

ShabaVito· 2026

Great Blue Hole Mkufu

na Jung Ki Min

Mshindi wa Tuzo ya Shaba ya A' Design Award katika Kategoria ya Vito

8,583

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #182523

Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Great Blue Hole Mkufu

Great Blue Hole ni mkufu ulioongozwa na shimo la baharini lenye jina hilo hilo huko Belize. Muundo huu unatafsiri mandhari kubwa ya asili kuwa umbo la sanamu linaloweza kuvaliwa. Vipande vya chuma vilivyopangwa kwa tabaka vimeinuliwa kwa nyaya za urefu tofauti ili kuunda ujazo na kina cha vipimo vitatu. Mbinu za kukata kwa msumeno, kuyeyusha na kumimina, kupaka enameli, kupachika vito, na mbinu za chasing na repousse zilitumika kujenga maumbo na miundo ya uso. Mkufu huu una upana wa milimita 130, kina cha milimita 15 na urefu wa milimita 75, pamoja na uzi wa lulu wa milimita 450. Mwendo wa mwili huhamisha mwanga katika tabaka hizo.

Utambuzi

Kuhusu Tuzo ya Shaba ya A' Design Award

Great Blue Hole Mkufu ni mshindi wa Tuzo ya Shaba ya A' Design Award, utambuzi wenye heshima kubwa unaotolewa kwa miundo bora inayotofautishwa kwa ubunifu, ustadi na busara. Washindi wa Shaba ni kazi za ufundi mwingi na bunifu ya kushangaza zinazothibitisha uzoefu mpana, mawazo na ustadi wa wabunifu wao. Great Blue Hole Mkufu inatarajiwa kuwa kitu kinachothaminiwa sana, kupendwa na kuenziwa, ambacho ni cha kitaalamu na bunifu kwa kiasi kikubwa. Muundo huu ulioshinda Tuzo ya Shaba ya A' Design Award unajumuisha mbinu bora katika sanaa, sayansi, usanifu na teknolojia, na ni bora kwa umakini wake kwa undani. Great Blue Hole Mkufu hutosheleza mahitaji kwa uzuri, hugusa hamu, huvutia hisia na kuvutia udadisi.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Vipimo na Ufungashaji: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Lebo: silver, necklace, jewelry, natural
Teknolojia ya Uzalishaji: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Changamoto ya Ubunifu: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Utafiti: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Msukumo: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Muda wa Mradi: The project started in August 2018 in New York, USA, and was completed in May 2019.
Mtiririko wa Uendeshaji: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Haki za Picha: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.