Sense Move Mavazi ya Ngoma na Zhulin Shi

Muundo Sense Move Mavazi ya Ngoma na Zhulin Shi ni mshindi mashuhuri wa tuzo ya kifahari ya 2020 Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mashindano ya Usanifu wa Mitindo, Mavazi na Nguo.

FedhaMitindo· 2020

Sense Move Mavazi ya Ngoma

na Zhulin Shi

Mteja: Last Lab Inc.

Mshindi wa Tuzo ya Fedha ya A' Design Award katika Kategoria ya Mitindo

37,486

Mshindi wa Tuzo Aliyethibitishwa

Thibitisha Hali ya Tuzo kwa #90799

Tazama kwenye A' Design Award Taarifa kwa Vyombo vya Habari Beji ya Tuzo

Rangi

Muundo

Kuhusu Sense Move Mavazi ya Ngoma

Sense Move ni vazi linaloangaza mwanga lililobuniwa kwa ajili ya wachezaji ngoma. Vazi hili hukunjwa na kutengeneza maumbo ya kijiometri yanayofuata mwendo wa mwili, likiunda sanamu inayohamahama jukwaani. Athari za mwanga huonyesha hisia zinazobadilika. Kufifia taratibu kunaashiria kupumua, na kumeta kunaashiria msisimko. Glavu ya kutambua imejumuishwa kama sehemu ya vazi hili. Mtazamaji anapogusa mkono wa mchezaji ngoma, mwanga hubadilika kulingana na mguso huo. Ubunifu huu unalenga kuimarisha uhusiano wa kihisia kati ya waigizaji na watazamaji.

Utambuzi

Kuhusu Tuzo ya Fedha ya A' Design Award

Sense Move Mavazi ya Ngoma ni mshindi wa Tuzo ya Fedha ya A' Design Award, utambuzi wenye heshima kubwa ya ajabu unaotolewa kwa miundo ya hali ya juu kabisa, ya kupendeza na ya kuvutia. Washindi wa Fedha ni kazi zinazong'aa mno na bunifu kupita kiasi zinazoonyesha utaalamu bora, kipaji na busara ya wabunifu wao. Sense Move Mavazi ya Ngoma inatarajiwa kuwa kazi nzuri ya kuigwa ambayo ni ya kitaalamu kwa kiasi kikubwa na yenye ubunifu wa kina. Muundo huu ulioshinda Tuzo ya Fedha ya A' Design Award ni uvumbuzi unaojulikana sana na kupendwa, unaonufaisha na kupanua mipaka ya sanaa, sayansi, usanifu na teknolojia. Sense Move Mavazi ya Ngoma ni kazi inayotamaniwa mno inayochochea hamu, huleta hisia chanya na huzua mshangao na mastaajabu.

Nyuma ya Muundo

Vifaa vya Habari

Mikopo, wanachama wa timu na maelezo ya kiufundi yaliyotolewa na mbuni.

Sifa za Kipekee: Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Vipimo na Ufungashaji: Width 70mm x Depth 30mm x Height 150mm
Lebo: wearable technology, led lighting costume, kinetic sculpture
Teknolojia ya Uzalishaji: In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Changamoto ya Ubunifu: The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Utafiti: I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Msukumo: With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Muda wa Mradi: The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Mtiririko wa Uendeshaji: The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Haki za Picha: Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou