The Opposite Коллексияи Либоси Бофта аз Yishu Yan

Тарҳи The Opposite Коллексияи Либоси Бофта аз Yishu Yan ғолиби шоистаи ҷоизаи бонуфузи 2024 Ҷоизаи нуқрагии A' Design Award дар категорияи мусобиқавии Дизайни мӯд, пӯшок ва либос мебошад.

НуқраМӯд· 2024

The Opposite Коллексияи Либоси Бофта

аз ҷониби Yishu Yan

Ғолиби Ҷоизаи нуқрагии A' Design Award дар категорияи Мӯд

662,508

Ғолиби тасдиқшудаи ҷоиза

Тасдиқи вазъи ҷоиза барои #157237

Ба сайт гузаред Дар A' Design Award дидан Релизи матбуотӣ Нишони ҷоиза

Рангҳо

Тарҳ

Дар бораи The Opposite Коллексияи Либоси Бофта

The Opposite коллексияи либоси бофтаи унисекс аст, ки барои пӯшидан бо тарзҳои гуногун тарҳрезӣ шудааст. Коллексия бо усулҳои буриши сифрӣ ва партови сифрӣ сохта мешавад, аз ин рӯ ҳеҷ матоъ партофта намешавад. Бофандагии рақамӣ барои ташаккули сохторҳои сеченакаи чандир ва конструксияҳои тағйирпазири либос истифода мешавад. Ашёҳои ду маҷмӯаи либосро метавон иваз ва дар таркибҳои гуногун мувофиқ кард, ки ин ба ҳар як пӯшанда имкон медиҳад услуби шахсии худро эҷод кунад. Тарҳи барои ҳама андозаҳо ба аксари одамони қоматашон миёна мувофиқ аст. The Opposite ақидаҳои маъмулро дар бораи либоси мардона ва занона зери суол мегузорад.

Эътироф

Дар бораи Ҷоизаи нуқрагии A' Design Award

The Opposite Коллексияи Либоси Бофта ғолиби Ҷоизаи нуқрагии A' Design Award аст, ки эътирофи фавқулодда обрӯманд буда, ба тарҳҳои сатҳи олӣ, зебо ва таъсирбахш дода мешавад. Ғолибони нуқра асарҳои бағоят дурахшон ва бениҳоят эҷодкоронаанд, ки таҷрибаи барҷаста, истеъдод ва зиракии тарроҳони худро нишон медиҳанд. Интизор меравад, ки The Opposite Коллексияи Либоси Бофта асари аҷоиб ва намунавӣ бошад, ки ба таври назаррас касбӣ ва амиқан навоваронаанд. Ин тарҳи ғолиби Ҷоизаи нуқрагии A' Design Award ихтирои хеле назаррас ва мавриди таҳсин аст, ки судманд аст ва ҳудуди санъат, илм, тарроҳӣ ва технологияро пеш мебарад. The Opposite Коллексияи Либоси Бофта офаридаест, ки бисёриҳо ба он ҳасад мебаранд ва хостаҳоро бедор мекунад, эҳсосоти мусбат меорад ва ҳайрат ва тааҷҷуб ба вуҷуд меорад.

Дар паси тарҳ

Маҷмӯаи матбуотӣ

Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.

Хусусиятҳои беназир: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Андоза ва бастабандӣ: This garment is an all-size design and will fit most people of average build.
Тегҳо: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Технологияи истеҳсол: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Мушкилоти дизайн: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Таҳқиқот: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Илҳом: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Давомнокии лоиҳа: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Ҷараёни кор: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Аъзои гурӯҳ: Academic adviser: Kinor Jiang & Jinyun Zhou
Ҳуқуқи тасвирҳо: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova