Тарҳи Soo No. 2 Курсӣ аз Sangin Park ғолиби шоистаи ҷоизаи бонуфузи 2026 Ҷоизаи нуқрагии A' Design Award дар категорияи мусобиқавии Дизайни мебел мебошад.
НуқраМебел· 2026
Soo No. 2 Курсӣ
аз ҷониби Sangin Park
Ғолиби Ҷоизаи нуқрагии A' Design Award дар категорияи Мебел
Ғолиби тасдиқшудаи ҷоиза
Тасдиқи вазъи ҷоиза барои #179701Тарҳ
Дар бораи Soo No. 2 Курсӣ
Soo No. 2 курсии чӯбинест, ки барои нишасти ҳаррӯза тарҳрезӣ шудааст. Дар аксари курсиҳо пойҳои қафо ба боло идома ёфта, такягоҳи пуштро дастгирӣ мекунанд. Дар Soo No. 2 пойҳои қафо ва такягоҳҳои пушт ба унсурҳои мустақил ҷудо карда шудаанд. Ин ҷудосозӣ устувории сохториро беҳтар мекунад ва мувозинати возеҳи визуалӣ ба вуҷуд меорад. Пойҳо шакли силиндрӣ доранд ва нишемангоҳ бо ресмони даниягӣ бофта шудааст. Ҳамаи пайвандҳои сохторӣ бо усули пайванди зом ва забонак сохта шудаанд ва пайвандҳои гузаранда дар паҳлӯҳои чорчӯба ҷузъиёти хурди алмосшаклро ташкил медиҳанд. Дастакҳо ва такягоҳҳои пушт бо мехҳои биринҷии ноаён маҳкам карда шудаанд.
Эътироф
Дар бораи Ҷоизаи нуқрагии A' Design Award
Soo No. 2 Курсӣ ғолиби Ҷоизаи нуқрагии A' Design Award аст, ки эътирофи фавқулодда обрӯманд буда, ба тарҳҳои сатҳи олӣ, зебо ва таъсирбахш дода мешавад. Ғолибони нуқра асарҳои бағоят дурахшон ва бениҳоят эҷодкоронаанд, ки таҷрибаи барҷаста, истеъдод ва зиракии тарроҳони худро нишон медиҳанд. Интизор меравад, ки Soo No. 2 Курсӣ асари аҷоиб ва намунавӣ бошад, ки ба таври назаррас касбӣ ва амиқан навоваронаанд. Ин тарҳи ғолиби Ҷоизаи нуқрагии A' Design Award ихтирои хеле назаррас ва мавриди таҳсин аст, ки судманд аст ва ҳудуди санъат, илм, тарроҳӣ ва технологияро пеш мебарад. Soo No. 2 Курсӣ офаридаест, ки бисёриҳо ба он ҳасад мебаранд ва хостаҳоро бедор мекунад, эҳсосоти мусбат меорад ва ҳайрат ва тааҷҷуб ба вуҷуд меорад.
Дар паси тарҳ
Маҷмӯаи матбуотӣ
Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.
- Хусусиятҳои беназир
- The most distinctive feature of this chair is the design of its rear legs. While conventional chairs extend the rear legs upward to support the backrest as two vertical columns, this approach was reconsidered in terms of structural stability. By separating the rear legs from the backrest support as independent elements, the design achieves both enhanced structural integrity and a clear sense of visual balance.
- Андоза ва бастабандӣ
- Width 580mm x Depth 640mm x Height 770mm
- Тегҳо
- chair, chair design, woodworking
- Технологияи истеҳсол
- In realizing this chair, certain elements were intentionally kept traditional, including the cylindrical legs and a seat woven with Danish cord. Special attention was required where the squared frame members meet the round legs. All Structural joints are crafted using mortise and tenon joinery, with through mortise and tenon joints forming subtle diamond-shaped details along the frame sides. The armrests and back rest supports are fixed with discreet brass pins, preserving the clarity and simplicity of the overall shape.
- Мушкилоти дизайн
- Design is shaped by the social and cultural context in which it is produced. Working within the Korean cultural context, where floor-based living has historically shaped furniture traditions, forms such as chests and low tables developed more clearly than chairs. This absence can create uncertainty for contemporary woodworkers, who often reference traditional architecture when designing chairs. This project began by questioning whether traditional forms were created primarily for aesthetic expression or as practical responses to life and the human body. Rather than replicating inherited forms, the focus shifted toward designing a chair that responds to bodily experience and everyday use.
- Таҳқиқот
- Type of Research :
Practice-based design research.
Research Objective :
To explore how visual stability and comfort interact in chair design.
Methodology :
Full-scale making and iterative adjustment of structure and angles.
Data Collection and Research Tools Used :
Physical prototypes, sitting tests, and dimensional comparison.
Participants or Experiments :
Separating rear legs from backrest support to resolve structural conflict.
Results :
Greater formal freedom and improved balance.
Insights :
Because rear legs and backrest supports perform different roles and absorb forces differently when seated, separating them—beyond concerns of material efficiency—allows chair design to become more flexible and expressive.
Impacts :
The study contributes to furniture design by demonstrating how structural separation can expand formal possibilities while improving everyday seating comfort. - Илҳом
- The chair was inspired by 12 months of building 12 different chairs, during which the relationship between the rear legs and the backrest support became a recurring concern. In conventional designs, rear leg placement that improves stability often compromises posture, while configurations that support proper seating increase the risk of tipping, with angled legs further distorting the overall form. These tensions led to the decision to separate the two functions into distinct structural elements
- Давомнокии лоиҳа
- This chair is the final outcome of a personal project involving the creation of 12 different chairs over a 12 month period. The making of this chair itself, including the final wax finish, took approximately twenty days. However, the process of determining the appropriate shapes and compositions for each part took place almost a year. The chair was crafted in December 2025 in Go-yang City, on the outskirts of Seoul, South Korea.
- Ҷараёни кор
- A chair is the piece of furniture that comes into closest contact with the human body. Beyond visual appeal, it must satisfy the highly subjective requirement of comfort. As the position and proportion of each element strongly shape the user’s experience, several dimensions were referenced from a classic chair by Hans J. Wegner, known for its balanced and familiar comfort. Interestingly, adopting only selected measurements leads to a distinctly new experience, revealing the unique and subtle nature of how a chair interacts with the human body.
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