Тарҳи Sense Move Либоси рақс аз Zhulin Shi ғолиби шоистаи ҷоизаи бонуфузи 2020 Ҷоизаи нуқрагии A' Design Award дар категорияи мусобиқавии Дизайни мӯд, пӯшок ва либос мебошад.

НуқраМӯд· 2020

Sense Move Либоси рақс

аз ҷониби Zhulin Shi

Муштарӣ: Last Lab Inc.

Ғолиби Ҷоизаи нуқрагии A' Design Award дар категорияи Мӯд

37,486

Ғолиби тасдиқшудаи ҷоиза

Тасдиқи вазъи ҷоиза барои #90799

Дар A' Design Award дидан Релизи матбуотӣ Нишони ҷоиза

Рангҳо

Тарҳ

Дар бораи Sense Move Либоси рақс

Sense Move як либоси нурафшон аст, ки барои рақосон тарҳрезӣ шудааст. Либос ба шаклҳои геометрӣ печида мешавад, ки ҳаракати баданро пайгирӣ мекунанд ва дар саҳна ҳайкали кинетикӣ ташкил медиҳанд. Эффектҳои нурӣ эҳсосоти тағйирёбандаро ифода мекунанд. Хомӯшшавии оҳиста нафаскаширо ва дурахши ногаҳонӣ ҳаяҷонро нишон медиҳад. Дастпӯшаки ҳассос ҳамчун як қисми либос дохил карда шудааст. Вақте ки як тамошобин дасти рақосро ламс мекунад, нур дар посух ба ин ламс тағйир меёбад. Тарҳ ба таҳкими алоқаи эҳсосӣ байни ҳунармандон ва тамошобинон нигаронида шудааст.

Эътироф

Дар бораи Ҷоизаи нуқрагии A' Design Award

Sense Move Либоси рақс ғолиби Ҷоизаи нуқрагии A' Design Award аст, ки эътирофи фавқулодда обрӯманд буда, ба тарҳҳои сатҳи олӣ, зебо ва таъсирбахш дода мешавад. Ғолибони нуқра асарҳои бағоят дурахшон ва бениҳоят эҷодкоронаанд, ки таҷрибаи барҷаста, истеъдод ва зиракии тарроҳони худро нишон медиҳанд. Интизор меравад, ки Sense Move Либоси рақс асари аҷоиб ва намунавӣ бошад, ки ба таври назаррас касбӣ ва амиқан навоваронаанд. Ин тарҳи ғолиби Ҷоизаи нуқрагии A' Design Award ихтирои хеле назаррас ва мавриди таҳсин аст, ки судманд аст ва ҳудуди санъат, илм, тарроҳӣ ва технологияро пеш мебарад. Sense Move Либоси рақс офаридаест, ки бисёриҳо ба он ҳасад мебаранд ва хостаҳоро бедор мекунад, эҳсосоти мусбат меорад ва ҳайрат ва тааҷҷуб ба вуҷуд меорад.

Дар паси тарҳ

Маҷмӯаи матбуотӣ

Кредитҳо, аъзои гурӯҳ ва тафсилоти техникие, ки тарроҳ пешниҳод кардааст.

Хусусиятҳои беназир: Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Андоза ва бастабандӣ: Width 70mm x Depth 30mm x Height 150mm
Тегҳо: wearable technology, led lighting costume, kinetic sculpture
Технологияи истеҳсол: In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Мушкилоти дизайн: The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Таҳқиқот: I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Илҳом: With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Давомнокии лоиҳа: The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Ҷараёни кор: The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Ҳуқуқи тасвирҳо: Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou