The Birth of a Book Китоб by Urszula Giren

The Birth of a Book Китоб by Urszula Giren is a highly esteemed winner of the very prestigious 2020 Ҷоизаи тиллоии A' Design Award in Дизайни медиаи чопӣ ва нашрия Competition Category.

ТиллоЧоп· 2020

The Birth of a Book Китоб

by Urszula Giren

Client: Urszula Gireń

Ҷоизаи тиллоии A' Design Award Winner in Чоп Category

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Verified Award Winner
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Colors

The Design

About The Birth of a Book Китоб

«Таваллуди китоб» нашрияи чопӣ дар бораи тарҳрезии китоб дар Полшаи асри XVI мебошад. Китоб чопҳои қадимиро дар андозаи воқеӣ пешниҳод мекунад, то хонандагон форматҳои аслиро дида тавонанд. Муқоваи болопӯш усули ҷобаҷогузории саҳифаҳоро, ки барои формати қадимии октаво истифода мешуд, нишон медиҳад. Хатчӯби лентагӣ баландии китобҳои фолио, кварто ва октаворо ишора мекунад. Нақшҳои чӯбкандаи саҳифаҳои унвонӣ дар инверсияи ранг чоп шудаанд, ки матритсаҳои бо ранги сиёҳ пӯшидашударо ба ёд меоранд. Формати китоб 256 то 320 миллиметр буда, 560 саҳифа ва тақрибан 1200 тасвир дорад. Ҳадаф шарҳ додани усулҳои чопи давраи Эҳё ба доираи васеи хонандагон мебошад.

The Recognition

About the Ҷоизаи тиллоии A' Design Award

The Birth of a Book Китоб ғолиби Ҷоизаи тиллоии A' Design Award аст, ки эътирофи бениҳоят обрӯманд буда, ба тарҳҳои дараҷаи аввал, аҷоиб ва барҷаста дода мешавад. Ғолибони тилло офаридаҳои бағоят навоварона, дурандешона ва ҷилваноки дурахшонанд, ки нубуғ, хирад ва маҳорати тарроҳони худро инъикос мекунанд. Интизор меравад, ки The Birth of a Book Китоб ихтирои хеле ситоишшуда, роҳбаладгузор ва ёдгорӣ бошад, ки арзиши бесобиқа меорад. Ин тарҳи ғолиби Ҷоизаи тиллоии A' Design Award лоиҳаи тамошобоб ва мӯҳтарам аст, ки хеле судманд аст ва ҳудуди санъат, илм, тарроҳӣ ва технологияро пеш мебарад. The Birth of a Book Китоб эҳсосоти шадиди хоҳишро ба вуҷуд меорад, шӯру шавқро бедор мекунад, эҷодкориро рағбат мебахшад ва моро мафтун месозад.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Dimensions & Packaging: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Tags: renaissance book, first roman typefaces, old prints, typography
Production Technology: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Design Challenge: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Research: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Inspiration: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Project Duration: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Operation Flow: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Image Credits: Urszula Gireń / 2019