Inage Ryouen ናይ ኣዕጽምቲ ማዕቖብን ቤተ-ጸሎትን ብ Eitaro Satake and Shinichiro Yamada

ዲዛይን Inage Ryouen ናይ ኣዕጽምቲ ማዕቖብን ቤተ-ጸሎትን ብ Eitaro Satake and Shinichiro Yamada ኣብ ናይ ውድድር ምድብ ንድፊ ኣርክቴክቸር፣ ህንጻን ቅርጽን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2021 ናይ ነሓስ ሽልማት A' Design Award እዩ።

ነሓስኣርክቴክቸር· 2021

Inage Ryouen ናይ ኣዕጽምቲ ማዕቖብን ቤተ-ጸሎትን

ብ Eitaro Satake and Shinichiro Yamada

ዓሚል: Bishamondo

ኣብ ምድብ ኣርክቴክቸር ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award

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ንቁጽሪ #107556 ሽልማት ኣረጋግጽ

ሳይት ብጻሕ ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Inage Ryouen ናይ ኣዕጽምቲ ማዕቖብን ቤተ-ጸሎትን

እናገ ርዮየን ኣብ ጥቓ ቶክዮ ዝርከብ፡ ቤተ-ጸሎትን ብማሽን ዝሰርሕ ማዕቖብ ኣዕጽምትን ዘተሓሓዘ ናይ መዘከርታ ህንጻ እዩ። ኸተማዊ ምዕባለን ለውጢ ናይ ስድራቤት ቅርጻን ኣብ ከተማታት ሰቦታት ንኽውሕዱ ገይሮም እዮም። እናገ ርዮየን ነዚ ድሌት እዚ ብቐሊሉ ክብጻሕ ዝኽእል ውሽጣዊ መቓብር ብምቕራብ ይምልስ። ኣብቶም ልሙዳት ብማሽን ዝሰርሑ መቓብራት፡ ኣቕሓ ስጋ ኣብ ንኡሳት ጎድጓዳት ይቕመጡ፡ ኣብዚ ግና ኣቕሓ ስጋ ልክዕ ከምቲ ልማዳዊ መቓብር፡ ኣብ ትሕቲ ናይ መቓብር ደንጊላ ኣብ ትሕቲ ቤት ይቕመጥ። ኣብ ህንጸት፡ እምኒ፡ ዕንጨይትን ወረቐትን ተጠቒሞም እዮም። ኣብ ሰለስተ ደርብታት ድማ ሎውንጅ፡ ቤተ-ጸሎት፡ ክፍሊ ኣምልኾን ናይ ላዕሊ ደርቢ ጀርዲንን ተሰሪዖም ይርከቡ።

እቲ ኣፍልጦ

ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award

Inage Ryouen ናይ ኣዕጽምቲ ማዕቖብን ቤተ-ጸሎትን ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Inage Ryouen ናይ ኣዕጽምቲ ማዕቖብን ቤተ-ጸሎትን ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Inage Ryouen ናይ ኣዕጽምቲ ማዕቖብን ቤተ-ጸሎትን ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: Inage ryouen is the first grave-type mechanical ossuary in Japan and it is a memorial architecture for bereaved families to conduct the funeral ceremony and pay their respect.
Change in lifestyle and urbanization creates a need for a change from a traditional local graveyard to an easy access urban ossuary.
Inage ryouen is a solution to the urban grave shortage, and memorial halls that are easy to visit. It has been designed so that it does not feel like a machine, and this indoor cemetery is as close as possible to a traditional grave site.
ዓቐንን ማዕሸግን: It is located around Tokyo, 1440 square meters in area, 2740 square meters in floor space, 3 stories above the steel frame. The garden and the ossuary are arranged on the roof, the second floor is a temple and the first floor is a lounge.
Lounge, Temple, Rooftop Garden and Worship Room with distinct functions on each floor for stress-free funerals and memorial services.
መለለዪታት: temple,columbarium, ossuary, memorial hall, Inage, Inage ryouen, STAR, Japan
ናይ ምፍራይ ቴክኖሎጂ: Conventional mechanical cemeteries have a small niche/ locker columbarium, whereas here the remains are stored under the tombstone. We developed a new system with Toyota L&F that allows us to secure storage space in the basement, just like traditional graves.
Natural materials such as stone, wood, and paper were used for the construction, architectural and interior design such as furniture, signage, gravestone materials, and also transport systems.
ምንጪ ሓሳብ: In Japan, with the aging of baby boomers, the number of deaths has doubled from 1980 to 2020, and has exceeded 1.3 million.
Also, due to the low birthrate and aging population, urbanization, and change in family structure, there is a growing need for a solution to the shortage of graves in urban areas and memorial halls that are easy to visit and respect individuality.
ናይ ፕሮጀክት ግዜ: Project completed in 15/03/2018
Project Location: 3-7-5 Inage Higashi, Inage-ku, Chiba-shi, Chiba, Japan
ናይ ስርሒት ፍሰት: Conventional mechanical cemeteries have a small niche/ locker columbarium, whereas here the remains are stored under the tombstone. We developed a new system with Toyota L&F that allows us to secure storage space in the basement, just like traditional graves.
A solution to the shortage of graves in urban area, and memorial halls that are easy to visit and respect individuality, located near the Tokyo Metropolitan city.
ኣባላት ጋንታ: Shinichiro Yamada and Eitaro Satake
ናይ ስእሊ ክረዲት: Photographer Kai Nakamura, 2018