ዲዛይን Past at Last ዘላቒ ፋሽን ብ Tihana Miksa ኣብ ናይ ውድድር ምድብ ንድፊ ፋሽን፣ ኣልባሳትን ክዳንን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2021 ናይ ብሩር ሽልማት A' Design Award እዩ።
ብሩርፋሽን· 2021
Past at Last ዘላቒ ፋሽን
ዓሚል: Tihana Mikša
ኣብ ምድብ ፋሽን ተሸላማይ ናይ ብሩር ሽልማት A' Design Award
ዝተረጋገጸ ተሸላማይ
ንቁጽሪ #113802 ሽልማት ኣረጋግጽእቲ ዲዛይን
ብዛዕባ Past at Last ዘላቒ ፋሽን
ኣብቲ ናይ ክዳውንቲ ቅልጽምታት ዘተኮረ፡ ብሃብታምን ተጻወትን ቴክስቸራትን ዘይምዕሩይ ሕብርታትን እዩ። ብውጽኢቱ፡ እቶም ክዳውንቲ ባዕሎም ሲሜትሪካውያን፡ ቀለልትን ዕጹዋትን ቅርጺታት ዘለዎም፡ ንቅርጽኦም ዘጸግሙ ምትእትታዋት ዘይብሎም እዮም። እዞም ዕዮታት ንእይታዊ መዳይ፡ ናይ ምትንኻፍ ባህሪ፡ ንዋታውነት፡ ህያው ምንቅስቃስን ናይ ጨርቂ ሕንጻዊ ቅርጽን ይመርምሩ። እቶም ሕብርታት ትሑት ጽዓትን ኣክሮማቲካውያንን እዮም፡ ብዘይካ ኣብዚ ጸዓዲ ስፔክትረም ዝምህዝሑ ቀይሕ ሕብርታት።
እቲ ኣፍልጦ
ብዛዕባ ናይ ብሩር ሽልማት A' Design Award
Past at Last ዘላቒ ፋሽን ናይ ብሩር ሽልማት A' Design Award ዝዓወተ እዩ፣ ንጽቡቓት፣ ልዑላትን ዘስደምምን ላዕለዋይ ደረጃ ዘለዎም ዲዛይናት ዝወሃብ ብዘይተለምደ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ብሩር ፍሉይ ክእለት፣ ተውህቦን ጥበብን ዲዛይነራቶም ዘርእዩ ኣዚዮም ዘብርሁን ብዙሕ ፈጠራውያንን ስራሕቲ እዮም። Past at Last ዘላቒ ፋሽን ዝበለጸ፣ ምሳሌ ዝኾነ፣ ብኣገዳሲ መገዲ ሞያውን ብዕምቆት ሓድሽን ስራሕ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ብሩር ሽልማት A' Design Award ብዙሕ ዝተራእየን ዝደነቐን ፈጠራ እዩ፣ ጥቕሚ ዘምጽእን ደረት ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዘስፍሕን። Past at Last ዘላቒ ፋሽን ብብዙሕ ዝቐንኣሉ ፍጥረት እዩ፣ ድሌታት ዘበራብር፣ ጽቡቕ ስምዒታት ዘምጽእን ሰንቢድን ምድናቕን ዘበራብርን።
ድሕሪ እቲ ዲዛይን
ናይ ፕረስ ኪት
ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።
- ፍሉያት ባህርያት
- The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum. - መለለዪታት
- basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
- ናይ ምፍራይ ቴክኖሎጂ
- The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
- ናይ ዲዛይን ብድሆ
- Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques. - ምንጪ ሓሳብ
- The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing. - ናይ ፕሮጀክት ግዜ
- 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
- ናይ ስእሊ ክረዲት
- Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.
ስፖንሰር ዝተገብረ
ልዕሊ Designers.org ዳህሰስ
ካብ ናይ ማስታወቂያ መሻርኽትና ፍርያት፣ ኣገልግሎታትን ዕድላትን ፍለጥ።
ተወሳኺ ንምርካብ
ተዛመድቲ ዲዛይናት
ካብ ተመሳሳሊ ምድብ ብብቕዓት ዝተመረጹ ተወሳኺ ሽልማት ዝተዓወቱ ዲዛይናት ድለዩ።
