Fujifilm Clay Studio2 ቀንዲ ተግባር፡ ውሽጣዊ ንድፊ ቤት ጽሕፈት ብ Koji Aoki, Lin Su and Atsushi Fujita

ዲዛይን Fujifilm Clay Studio2 ቀንዲ ተግባር፡ ውሽጣዊ ንድፊ ቤት ጽሕፈት ብ Koji Aoki, Lin Su and Atsushi Fujita ኣብ ናይ ውድድር ምድብ ንድፊ ውሽጣዊ ቦታን ምርኢትን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2022 ናይ ነሓስ ሽልማት A' Design Award እዩ።

ነሓስውሽጣዊ· 2022

Fujifilm Clay Studio2 ቀንዲ ተግባር፡ ውሽጣዊ ንድፊ ቤት ጽሕፈት

ብ Koji Aoki, Lin Su and Atsushi Fujita

ዓሚል: Fujifilm Corporation

ኣብ ምድብ ውሽጣዊ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award

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ንቁጽሪ #131321 ሽልማት ኣረጋግጽ

ሳይት ብጻሕ ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Fujifilm Clay Studio2 ቀንዲ ተግባር፡ ውሽጣዊ ንድፊ ቤት ጽሕፈት

ጽሑፍ መጽሓፍ፡ ክሌይ ስቱድዮ 2 ኣብ ቶክዮ ንስራሕቲ ናይ ፕሮዳክትን ቪዥዋልን ዲዛይን ዝተዳለወ ውሽጣዊ ንድፊ ቤት ጽሕፈት እዩ። እዚ 300 ትርብዒት ሜትሮ ዝስፍሓቱ ቦታ፡ ካብቶም ብቐንዱ ኣብ ርክብ ዘተኮሩ ቤት ጽሕፈታት ብዝፍለ መልክዑ፡ ንህድኣትን ንኣተኩሮን ዘመቻችው ጸጥ ዝበለ ኩነታት ኮይኑ እዩ ተታሒዙ። ኮንክሪት፣ ቀለምን ናይ ዕንጨይቲ ሲሚንቶ ሰሌዳን ብዘይምዕራይ ተሪፎም ኣለዉ፡ በዚ ድማ እታ ክፍሊ ካብ ጨንፈራትን ዓንዲታትን ጥራይ እተሰርሐት ትመስል። ናይ ጀርዲን ላንድስኬፕን ተፈጥሮኣዊ ትርኢትን ድሕረ-ባይታ ፈጢሮም፡ ንኣብቲ ቦታ ዝቕይር ወቕታዊ ለውጢ የእትዉ። ጣውላታት ንደገ ገጾም ዘቕንዑ ኮይኖም፡ ሓደ ሸውዓተ ሜትሮ ዝንውሓቱ ጣውላ ድማ ኣብ መንጎ ሰባት ርሕቀት እናተሓለወ ሓጸርቲ ኣኼባታት ንኽካየዱ ዕድል ይህብ።

እቲ ኣፍልጦ

ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award

Fujifilm Clay Studio2 ቀንዲ ተግባር፡ ውሽጣዊ ንድፊ ቤት ጽሕፈት ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Fujifilm Clay Studio2 ቀንዲ ተግባር፡ ውሽጣዊ ንድፊ ቤት ጽሕፈት ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Fujifilm Clay Studio2 ቀንዲ ተግባር፡ ውሽጣዊ ንድፊ ቤት ጽሕፈት ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
ዓቐንን ማዕሸግን: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
መለለዪታት: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
ናይ ምፍራይ ቴክኖሎጂ: concrete, painting, wood cement board
ናይ ዲዛይን ብድሆ: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
ምርምር: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
ምንጪ ሓሳብ: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
ናይ ፕሮጀክት ግዜ: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
ናይ ስርሒት ፍሰት: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
ኣባላት ጋንታ: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita