ዲዛይን Tibetan Thangka Art ቤተ-መዘክር ብ AND Studio ኣብ ናይ ውድድር ምድብ ንድፊ ኣርክቴክቸር፣ ህንጻን ቅርጽን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2024 ናይ ብሩር ሽልማት A' Design Award እዩ።
ብሩርኣርክቴክቸር· 2024
Tibetan Thangka Art ቤተ-መዘክር
ዓሚል: And Studio
ኣብ ምድብ ኣርክቴክቸር ተሸላማይ ናይ ብሩር ሽልማት A' Design Award
ዝተረጋገጸ ተሸላማይ
ንቁጽሪ #152344 ሽልማት ኣረጋግጽእቲ ዲዛይን
ብዛዕባ Tibetan Thangka Art ቤተ-መዘክር
ቤተ-መዘክር ታንግካ ላሳ ኣብ እግሪ ኣኽራን ላሳ ዝርከብ ንስነ-ጥበብ ታንግካ ዝተዳለወ ቤተ-መዘክር እዩ። እቲ ህንጻ ብኣገባብ ገዳም ቲቤት ዝተወደበ ኮይኑ ምስ እቲ ኣኽራንን ሰማይን ዘተ ይፈጥር። ግዳማዊ መገዲ ኣብ መንጎ እቶም ህንጻዊ ኣካላት እናደየበ ናብ ልዑል ዓደባባይ ይመርሕ፣ ውሽጣዊ መገዲ ድማ ነቶም ናይ ምርኢት ቦታታት ይሰርዕ። ባህላዊ መናድቕ እምኒ ከም ድርብ ዝነፍስ መናድቕ ኮንክሪት ብሓድሽ ኣገባብ ተተርጒሞም፣ እዚ ድማ ምዕቃብ ሙቐት የመሓይሽን ኣጠቓቕማ ጸዓት ይንክን። ናይቲ ከባቢ ኣቕሑን ናይቲ ከባቢ ዓያዪ ጉልበትን ተጠቒሞም። እቲ ቤተ-መዘክር ንስነ-ጥበብ ታንግካን ባህሊ ቲቤትን የስፋሕፍሕ።
እቲ ኣፍልጦ
ብዛዕባ ናይ ብሩር ሽልማት A' Design Award
Tibetan Thangka Art ቤተ-መዘክር ናይ ብሩር ሽልማት A' Design Award ዝዓወተ እዩ፣ ንጽቡቓት፣ ልዑላትን ዘስደምምን ላዕለዋይ ደረጃ ዘለዎም ዲዛይናት ዝወሃብ ብዘይተለምደ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ብሩር ፍሉይ ክእለት፣ ተውህቦን ጥበብን ዲዛይነራቶም ዘርእዩ ኣዚዮም ዘብርሁን ብዙሕ ፈጠራውያንን ስራሕቲ እዮም። Tibetan Thangka Art ቤተ-መዘክር ዝበለጸ፣ ምሳሌ ዝኾነ፣ ብኣገዳሲ መገዲ ሞያውን ብዕምቆት ሓድሽን ስራሕ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ብሩር ሽልማት A' Design Award ብዙሕ ዝተራእየን ዝደነቐን ፈጠራ እዩ፣ ጥቕሚ ዘምጽእን ደረት ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዘስፍሕን። Tibetan Thangka Art ቤተ-መዘክር ብብዙሕ ዝቐንኣሉ ፍጥረት እዩ፣ ድሌታት ዘበራብር፣ ጽቡቕ ስምዒታት ዘምጽእን ሰንቢድን ምድናቕን ዘበራብርን።
ድሕሪ እቲ ዲዛይን
ናይ ፕረስ ኪት
ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።
- ፍሉያት ባህርያት
- Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
- ዓቐንን ማዕሸግን
- The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
- መለለዪታት
- museum, thangka art, concrete, brass, glass curtain wall
- ናይ ምፍራይ ቴክኖሎጂ
- The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
- ናይ ዲዛይን ብድሆ
- At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials. - ምርምር
- At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
- ምንጪ ሓሳብ
- Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
- ናይ ፕሮጀክት ግዜ
- The project started in February 2019 and finished in May 2022 in Lhasa, China
- ናይ ስርሒት ፍሰት
- We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls. - ፓተንታት
- Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD - ኣባላት ጋንታ
- Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk - ናይ ስእሊ ክረዲት
- Photo and Video by: Arch-Exist Photography
ስፖንሰር ዝተገብረ
ልዕሊ Designers.org ዳህሰስ
ካብ ናይ ማስታወቂያ መሻርኽትና ፍርያት፣ ኣገልግሎታትን ዕድላትን ፍለጥ።
ተወሳኺ ንምርካብ
ተዛመድቲ ዲዛይናት
ካብ ተመሳሳሊ ምድብ ብብቕዓት ዝተመረጹ ተወሳኺ ሽልማት ዝተዓወቱ ዲዛይናት ድለዩ።
