New Year ስእሊ by Jui-Ping Lee is a highly esteemed winner of the very prestigious 2024 ናይ ሓጺን ሽልማት A' Design Award in ዲጂታል ስነ-ጥበብ Competition Category.

ሓጺንዲጂታል ስነ-ጥበብ· 2024

New Year ስእሊ

by Jui-Ping Lee

ናይ ሓጺን ሽልማት A' Design Award Winner in ዲጂታል ስነ-ጥበብ Category

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Colors

The Design

About New Year ስእሊ

ብሓደ ህድኣት ዘለዎ ጐረባብቲ፡ ኣብ መንጎ ልሙዕ በረድ ክረምትን ህያዋይ ቀለማት ቆጽሊ ቀውዒን፡ ብድሙቕ ኪሞኖ ዝተሰርወት ጸጋማይ ኣካል ተቐሚጡ ኣሎ። እቲ ትርኢት ኣንፈት ዋቢሳቢ የንጸባርቕ፡ ጽባቐ ብሕትናን ህድኣትን ዝሓዘ። ልሙዓት ቅጥዕታት ነቲ ጨርቂ ዘጽንዑ፡ መብዛሕትኦም ጢሂን እዮም፡ ክብሪ ዝውክሉ፤ ከምኡ'ውን እቲ ስርዓት ዘለዎ ሰይጋይሃ ድማ ህድኣት ባሕሪ ዝውክል። ቀረባ እንተ ዘሚርካ ዝያዳ ውሑዳት ዝርዝራት ይረአ፡ ቅጽል ስም ናይቲ ስእላዊ ዝሓዘ ጽላት ድንጋይ ንፀጋም ገጽ ኣሎ፤ ከምኡ'ውን ኣብቲ ኪሞኖ ላዕሊ፡ ነቲ ሓድሽ ዓመት 2020፡ ዓመተ አጣሕቲ ዝውክሉ ቅጥዕታት አጣሕቲ ኣለዉ።

The Recognition

About the ናይ ሓጺን ሽልማት A' Design Award

New Year ስእሊ ናይ ሓጺን ሽልማት A' Design Award ዝዓወተ እዩ፣ ካብ ጽቡቕ ዝተዳለዉ ፍጥረታት ዝጽበዩ ሞያውን ኢንዱስትሪኣውን ጠለባት ንዝመላኡ ጽቡቓት ዲዛይናት ዝወሃብ ክቡር ኣፍልጦ። ዘዓወቱ ሓጺን ዓቢ ክእለት፣ ልዑል ፍሉይነት፣ ክኢላዊ ርድኢትን ፈጠራዊ ዓቕምን ፈጣርዮም የርእዩ። New Year ስእሊ ብብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን፣ ተግባራውን ሓድሽን ፍጥረት ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ሓጺን ሽልማት A' Design Award ንዝበለጹ ልምድታት ኢንዱስትሪ የጣምር፣ ምስ ፍልጠትን ተውህቦን ዝተኣሳሰሩ ብቑዓት ቴክኒካውያን ባህርያት ድማ ኣለዎ። New Year ስእሊ ብጥንቃቐኡ ይኽበር፣ ንዓለም ዝሓሸ ቦታ ክትኸውን ዝሕግዙ ምምሕያሻት መዓርግ ህይወት ንምቕራብ ድማ ዝተዳለወ እዩ።

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Dimensions & Packaging: Original dimensions at 5600*3150 px, with 935 canvas layers
Tags: Illustration, Kimono, Furisode, Kouyou, Karesansui
Production Technology: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Design Challenge: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Research: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Inspiration: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Project Duration: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Operation Flow: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.