ዲዛይን Op.2-3 ቀንዲ ተግባር፦ ዋንጫ ብ Seungbum Ma ኣብ ናይ ውድድር ምድብ ንድፊ ሽልማታት፣ ሽልማትን ውድድራትን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2026 ናይ ብሩር ሽልማት A' Design Award እዩ።

ብሩርሽልማት· 2026

Op.2-3 ቀንዲ ተግባር፦ ዋንጫ

ብ Seungbum Ma

ዓሚል: Design House

ኣብ ምድብ ሽልማት ተሸላማይ ናይ ብሩር ሽልማት A' Design Award

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ንቁጽሪ #173325 ሽልማት ኣረጋግጽ

ሳይት ብጻሕ ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Op.2-3 ቀንዲ ተግባር፦ ዋንጫ

ጽሑፍ መጽሓፍ፦ እዚ ን2024 ናይ ሶul ሊቪንግ ዲዛይን ፍታሕ ዝተነደፈ ዋንጫ፡ ካብ መሰረታዊ ስነ-ህንፃዊ ኣካላት ከም ኣዕኑድ፡ ጓዲፍ፡ ከምኡውን ሸላቦ ተመስጦ ወሲዱ፡ ብዘመናዊ ንዋትን ኣገባባት ኣሰራርሓን ኣቢሉ ዳግም ተተርጒሙ ኣሎ። ብኣክሪሊክ ተሰሪሑ፡ ንብርሃን፡ ጽላሎት፡ ከምኡውን ለውጢ ንዋት እናመርመረ ንኣገባብ ባህላዊ ኮርያዊ መገጣጠሚ ዕንጨይቲ የንጸባርቕ። እቲ ቅርጺ ምስ ኩርናዕን ብርሃንን እናተቐያየረ፡ ሓደ ሓደ ግዜ እናበርሀ፡ እናንጸባረቐ፡ ወይ ሕብራዊ ጽላሎት እናደርበየ፡ ብልክዕ ናይ ምጥማር መጽናዕቲ ኣቢሉ ንህንፃዊ ንጽህናን ስምዒታዊ ዕምቆትን ይጠማምር።

እቲ ኣፍልጦ

ብዛዕባ ናይ ብሩር ሽልማት A' Design Award

Op.2-3 ቀንዲ ተግባር፦ ዋንጫ ናይ ብሩር ሽልማት A' Design Award ዝዓወተ እዩ፣ ንጽቡቓት፣ ልዑላትን ዘስደምምን ላዕለዋይ ደረጃ ዘለዎም ዲዛይናት ዝወሃብ ብዘይተለምደ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ብሩር ፍሉይ ክእለት፣ ተውህቦን ጥበብን ዲዛይነራቶም ዘርእዩ ኣዚዮም ዘብርሁን ብዙሕ ፈጠራውያንን ስራሕቲ እዮም። Op.2-3 ቀንዲ ተግባር፦ ዋንጫ ዝበለጸ፣ ምሳሌ ዝኾነ፣ ብኣገዳሲ መገዲ ሞያውን ብዕምቆት ሓድሽን ስራሕ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ብሩር ሽልማት A' Design Award ብዙሕ ዝተራእየን ዝደነቐን ፈጠራ እዩ፣ ጥቕሚ ዘምጽእን ደረት ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዘስፍሕን። Op.2-3 ቀንዲ ተግባር፦ ዋንጫ ብብዙሕ ዝቐንኣሉ ፍጥረት እዩ፣ ድሌታት ዘበራብር፣ ጽቡቕ ስምዒታት ዘምጽእን ሰንቢድን ምድናቕን ዘበራብርን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: This is the trophy design for the 2024 Seoul Living Design Fair. Inspired by fundamental architectural elements, such as beams, columns, and slabs, the design reinterprets traditional Korean joinery using acrylic. The trophy’s form responds to light and angle: at times glowing and casting stained-glass-like reflections, at others becoming a dark mirror or a silent, solid mass. Three versions were created—Special, Product, and Space Prizes—each rendered in RGB hues symbolizing light itself.
ዓቐንን ማዕሸግን: Width 103 mm x Depth 103 mm x Height 323 mm
መለለዪታት: architectural object, architectural trophy, trophy
ናይ ምፍራይ ቴክኖሎጂ: This project also served as an experiment in translating architectural and furniture joinery techniques into a smaller scale. It involved a series of tests to determine tolerances that allow precise acrylic assembly without breakage, along with studies to identify the optimal colors and levels of transparency. The final outcome was achieved through extensive exploration of transparency, translucency, opacity, reflectivity, dyeing, tinting, and color mixing.
ናይ ዲዛይን ብድሆ: Wood was fragile, while rigid paper allowed for easy assembly but presented issues with warping and finish. Aluminum lost its precision and deformed during cutting. While 3D printing offered structural stability, it was excluded due to its incompatibility with the interlocking design language.

Ultimately, acrylic was chosen for its ability to transmit and reflect light, casting colored shadows while glowing on its own. However, tests were required to determine the optimal tolerances for assembly without breakage, as well as to identify suitable colors and levels of transparency.
ምርምር: Under a tight timeline, it was necessary to explore multiple formal alternatives for the trophy while simultaneously studying the complex joinery details at a small scale using various materials.
ምንጪ ሓሳብ: This project explores the universal language of architecture to evoke new experiences and meanings. Fundamental elements, such as beams, columns, walls, and floors, are reconfigured with contemporary materials to defamiliarize the everyday and invite renewed reflection. By reinterpreting traditional joinery through modern techniques, the work honors history while opening paths toward the future.
ናይ ፕሮጀክት ግዜ: The project started in January and finished in February 2024 in Seoul, and was exhibited in the Seoul Living Design Fair 2024 in March.
ናይ ስርሒት ፍሰት: Placed by a sunlit window, it takes on entirely different forms and impressions depending on the time, weather, and the viewer’s perspective.
ኣባላት ጋንታ: SeungBum Ma
Euijung Sung
Eunbin Lim
ናይ ስእሊ ክረዲት: All photos by Yoon Park.