Suwen ጉቺን ብ Shanghai Yitong Cultural Communication Co.,Ltd.

ዲዛይን Suwen ጉቺን ብ Shanghai Yitong Cultural Communication Co.,Ltd. ኣብ ናይ ውድድር ምድብ ንድፊ ናውቲ ሙዚቃ ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2026 ናይ ነሓስ ሽልማት A' Design Award እዩ።

ነሓስናውቲ ሙዚቃ· 2026

Suwen ጉቺን

ብ Shanghai Yitong Cultural Communication Co.,Ltd.

ዓሚል: Shanghai Yitong Cultural Communucation Co.,Ltd.

ኣብ ምድብ ናውቲ ሙዚቃ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award

15,175

ዝተረጋገጸ ተሸላማይ

ንቁጽሪ #180049 ሽልማት ኣረጋግጽ

ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Suwen ጉቺን

ሱወን ጉቺን እዩ፣ ንዘመናዊ ኣጻወታ እንደገና ዝተተርጎመ ባህላዊ ናይ ቻይና ናይ ገመድ መሳርሒ ሙዚቃ። ቅርጹ ነቲ ኣብ ሆርዩጂ ቤተ መቕደስ ተዓቂቡ ዘሎ ናይ ታንግ ስርወ መንግስቲ ቺን ይስዕብ። እቲ ናይ ድምጺ ሰሌዳ ካብ ዝኣረገ ሲዳር ወይ ጳውሎውንያ ዝተሰርሐ ኮይኑ፣ እቲ ድሕሪት ድማ ካብ ካታልፓ ዝተሰርሐ እዩ። እቲ መሰረታዊ ንብርቲ ሓሙዂሽቲ ቀርኒ ኣጋዘንን ጥረ ላከርን ይሓዋውስ። ብድምጻዊ ስነ ጥበብ ዝተሃንደሰ ውሽጣዊ ክፍቲ ቦታ ነቲ ንእሽቶ ኣካል ናይ ሙሉእ ዓቐን መሳርሒ ድምጽን ዓቐን ድምጽን ይህቦ። ማት ግሬን ላከር ዝበሃል መወዳእታ ስራሕ ንቑጽን ዘይንሸራተትን ገጽ ይፈጥር። ኣብ ጭራ ዝርከብ ዝተገፍሐ መትሓዚ ገመድ ንጀመርትን ንኣናእሽቱ ኣእዳው ዘለዎም ተጻወትን ምንቅስቓስ ኣጻብዕ የቃልል።

እቲ ኣፍልጦ

ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award

Suwen ጉቺን ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Suwen ጉቺን ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Suwen ጉቺን ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
ዓቐንን ማዕሸግን: 1100mm*150mm*45mm
መለለዪታት: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
ናይ ምፍራይ ቴክኖሎጂ: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
ናይ ዲዛይን ብድሆ: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
ምርምር: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
ምንጪ ሓሳብ: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
ናይ ፕሮጀክት ግዜ: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
ናይ ስርሒት ፍሰት: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
ኣባላት ጋንታ: Ding Liang