Ishidaya ቀንዲ ተግባር፡ ጃፓናዊ ቤት-መግቢ ብ Atsushi Kawaguchi

ዲዛይን Ishidaya ቀንዲ ተግባር፡ ጃፓናዊ ቤት-መግቢ ብ Atsushi Kawaguchi ኣብ ናይ ውድድር ምድብ ንድፊ ውሽጣዊ ቦታን ምርኢትን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2026 ናይ ነሓስ ሽልማት A' Design Award እዩ።

ነሓስውሽጣዊ· 2026

Ishidaya ቀንዲ ተግባር፡ ጃፓናዊ ቤት-መግቢ

ብ Atsushi Kawaguchi

ዓሚል: Ishidaya

ኣብ ምድብ ውሽጣዊ ተሸላማይ ናይ ነሓስ ሽልማት A' Design Award

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ንቁጽሪ #180958 ሽልማት ኣረጋግጽ

ሳይት ብጻሕ ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Ishidaya ቀንዲ ተግባር፡ ጃፓናዊ ቤት-መግቢ

ጽሑፍ መጽሓፍ፡ ኢሺዳያ ኣብ ማእከላይ ከባቢ ሃኖይ ዝርከብ ጃፓናዊ ቤት-መግቢ እዩ። እዚ ፕሮጀክት ንታይሾ ሮማን፡ እቲ ጃፓናውን ምዕራባውን ባህልታት ዝተራኸበሉ ዘመን፡ ከም ማዕቀፉ ብምጥቃም፡ ኣብ መንጎ ጃፓናዊ ውቃበን ናይ ሕንጻ ምዕራባዊ ባህርን ይሽምግል። ኣብ ልዕሊ እቲ ካውንተር ዘሎ ናይ ዕንጨይቲ ማዕቀፍ ንባህላዊ ህንጸት ምስ ጆኦሜትሪ ኣርት ዴኮ ብምጽማድ፡ ከም ቀንዲ ዓይናዊ ኣካል ኮይኑ የገልግል። ካብ ምስልማት ንላዕሊ፡ ብብርሃንን ብዝቕየር መርኣይ ነጥብታትን ኣቢሉ ኣፍልጦ ይቐርጽ። ውጽኢቱ ድማ ባህላዊ መወከሲታት ዝሰርዕን ብዛዕባ ዘመናዊ ኣመጋግባ ኣብ ሃኖይ ንጹር ትርጓሜ ዘቕርብን ዝተገትአ ቦታ እዩ።

እቲ ኣፍልጦ

ብዛዕባ ናይ ነሓስ ሽልማት A' Design Award

Ishidaya ቀንዲ ተግባር፡ ጃፓናዊ ቤት-መግቢ ናይ ነሓስ ሽልማት A' Design Award ዝዓወተ እዩ፣ ብፈጠራ፣ ርእሰ ሓይልን ስቕታን ዝፍለዩ ብልጫ ዘለዎም ዲዛይናት ዝወሃብ ኣዚዩ ክቡር ኣፍልጦ። ዘዓወቱ ነሓስ ሰፊሕ ተሞክሮ፣ ምሕሳብን ርእሰ ምምዕባልን ዲዛይነራቶም ዘረጋግጹ ኣዚዮም ክኢላታትን ብዘደንቕ መገዲ ፈጠራውያንን ኣርቴፋክትታት እዮም። Ishidaya ቀንዲ ተግባር፡ ጃፓናዊ ቤት-መግቢ ብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን ብኣገዳሲ መገዲ ሞያውን ሓድሽን ኣቕሓ ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ነሓስ ሽልማት A' Design Award ኣብ ጥበብ፣ ሳይንስ፣ ዲዛይንን ቴክኖሎጂን ዝበለጹ ልምድታት ዘጣምር፣ ንዝርዝር ብዝህቦ ኣቓልቦ ድማ ዝበለጸ እዩ። Ishidaya ቀንዲ ተግባር፡ ጃፓናዊ ቤት-መግቢ ድልየታት ብጽባቐ የማልእ፣ ንድሌታት ይትንክፍ፣ ንስምዒታት የማርኽን ሕቶ ድማ የሰሕብን።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
ዓቐንን ማዕሸግን: Renovation of existing buildings
መለለዪታት: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
ናይ ምፍራይ ቴክኖሎጂ: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
ናይ ዲዛይን ብድሆ: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
ምርምር: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
ምንጪ ሓሳብ: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
ናይ ፕሮጀክት ግዜ: The project started in August 2024 in Hanoi and finished in April 2025.
ናይ ስርሒት ፍሰት: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
ናይ ስእሊ ክረዲት: All photos / HIROYUKI OKI