Love Symbol ናይ መንበሪ ውሽጣዊ ስነ-ሕንጻ ዲዛይን ብ Chin-Shu Chen

ዲዛይን Love Symbol ናይ መንበሪ ውሽጣዊ ስነ-ሕንጻ ዲዛይን ብ Chin-Shu Chen ኣብ ናይ ውድድር ምድብ ንድፊ ውሽጣዊ ቦታን ምርኢትን ኣዝዩ ዝኸበረ ተሸላማይ ናይ 2020 ናይ ሓጺን ሽልማት A' Design Award እዩ።

ሓጺንውሽጣዊ· 2020

Love Symbol ናይ መንበሪ ውሽጣዊ ስነ-ሕንጻ ዲዛይን

ብ Chin-Shu Chen

ዓሚል: Fe Design Company

ኣብ ምድብ ውሽጣዊ ተሸላማይ ናይ ሓጺን ሽልማት A' Design Award

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ዝተረጋገጸ ተሸላማይ

ንቁጽሪ #88469 ሽልማት ኣረጋግጽ

ሳይት ብጻሕ ኣብ A' Design Award ርአዮ ጋዜጣዊ መግለጺ ባጅ ሽልማት

ሕብርታት

እቲ ዲዛይን

ብዛዕባ Love Symbol ናይ መንበሪ ውሽጣዊ ስነ-ሕንጻ ዲዛይን

ናይ ፍቕሪ ምልክት ኣብ ታይፔ፣ ታይዋን ንዝርከብ 150 ዓደባይ ጫማ (square feet) መንበሪ ቤት ዝተሰርሐ ውሽጣዊ ስነ-ሕንጻ ዲዛይን እዩ። ቀንዲ መንደቕ ናይ ኮፍ መበሊ ክፍሊ ካብ ተፈጥሮኣዊ ማርብል ዝተሰርሐ ኮይኑ፣ ናብ ኦርየንታል ሕብረ-ማይ ስእሊ ቀጽታታት ዝመልስ ናይ ደረጅ ለውጢ ሕብርታት ኣለዎ። እዚ ናይ እምኒ መንደቕ ናብ ኮሪደር እውን ይቕጽል። ብድሕሪ እቲ ቀንዲ መንደቕ፣ ናይ ቡዳ ኣደራሽ ብኣቦ እቲ ስድራ ቤት ዝተሳእለ ካሊግራፊ ኣርእስቱ ይርአ። ዕንጨይቲ ኣብ ላዕለወይቲ ናይ ክፍሊ ጣራ ተጠቒሙ፣ ምውቕቲ ንኽውስኽ እና ንህዝባውን ብሕታውን ከባቢታት ንኽራኸብ ይሕግዝ። ህዝባዊ ከባቢ ፍርቁ-ክፉት ኮይኑ ተፈጥሮኣዊ ብርሃን ይረክብ። እዚ ዲዛይን ናይ እቲ ስድራ ቤት ዝኽርን ስምዒትን ይሕልው።

እቲ ኣፍልጦ

ብዛዕባ ናይ ሓጺን ሽልማት A' Design Award

Love Symbol ናይ መንበሪ ውሽጣዊ ስነ-ሕንጻ ዲዛይን ናይ ሓጺን ሽልማት A' Design Award ዝዓወተ እዩ፣ ካብ ጽቡቕ ዝተዳለዉ ፍጥረታት ዝጽበዩ ሞያውን ኢንዱስትሪኣውን ጠለባት ንዝመላኡ ጽቡቓት ዲዛይናት ዝወሃብ ክቡር ኣፍልጦ። ዘዓወቱ ሓጺን ዓቢ ክእለት፣ ልዑል ፍሉይነት፣ ክኢላዊ ርድኢትን ፈጠራዊ ዓቕምን ፈጣርዮም የርእዩ። Love Symbol ናይ መንበሪ ውሽጣዊ ስነ-ሕንጻ ዲዛይን ብብዙሕ ዝተመነየ፣ ዝደነቐን ዝፈተዎን፣ ተግባራውን ሓድሽን ፍጥረት ክኾን ይጽበ። እዚ ዝዓወተ ዲዛይን ናይ ሓጺን ሽልማት A' Design Award ንዝበለጹ ልምድታት ኢንዱስትሪ የጣምር፣ ምስ ፍልጠትን ተውህቦን ዝተኣሳሰሩ ብቑዓት ቴክኒካውያን ባህርያት ድማ ኣለዎ። Love Symbol ናይ መንበሪ ውሽጣዊ ስነ-ሕንጻ ዲዛይን ብጥንቃቐኡ ይኽበር፣ ንዓለም ዝሓሸ ቦታ ክትኸውን ዝሕግዙ ምምሕያሻት መዓርግ ህይወት ንምቕራብ ድማ ዝተዳለወ እዩ።

ድሕሪ እቲ ዲዛይን

ናይ ፕረስ ኪት

ክረዲትታት፣ ኣባላት ጋንታን ቴክኒካዊ ዝርዝራትን ብዲዛይነር ዝቐረቡ።

ፍሉያት ባህርያት: The stone of gradient colors and correspondence with oriental ink-painting landscape has been selected for the main wall of the living room, which is extended to the hallway to imply the heritage of sentiment. The back of the main wall is designed as a Buddha Hall, featuring the calligraphy drawn by the father, injecting the room with abundantly artistic foundation.
ዓቐንን ማዕሸግን: The interior space is 150 square feet without the expression of too many different materials. The designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle.
መለለዪታት: Marble wall, oriental ink-painting, natural lighting, humanistic dimension
ናይ ምፍራይ ቴክኖሎጂ: The ceiling is designed with wood, the scope introducing public area to the private space, which also corresponds with the hallway and the stone, adding warmth to the room. In the public area featuring natural materials, the coarse or fine patterns show the release of organized linear and dimensional impression.
ናይ ዲዛይን ብድሆ: The public area is semi-open designed with integration of the movement and natural lighting between the internal and external space, which is simple and delicate. And in the private domain, the room freely releases the imagination for life and implementing sentimental dimension towards humanity while blending arts in between the lines and dimensions, which correspond with the lighting, colors and materials through low-profile but remarkable style.
ምርምር: Designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle. The main wall in the living room extends the majestic and spacious atmospheres through the special patterns of natural marble, incorporated with the wood features of ceiling and wall. Designer pursues and builds a humanistic construction space through the authenticity of design, providing the dwellers with the surviving situation that passes down the beautify relation and sentiment.
ምንጪ ሓሳብ: The 150 square feet unit customized for design in the pre-construction phase is a gift left behind by the deceased father to his wife and children. The fathers care and love for the family can be observed from the location of the building to the interior layout and arts.
ናይ ፕሮጀክት ግዜ: The project started in January 2018 and finished in August 2018 in Taiwan, Taipei.
ናይ ስርሒት ፍሰት: The dining room arranges for an absolutely tranquil image of the space through rational colors but also explains the sentimental and warm cultural attitude through the embellishment of vibrant colors. The material in general introduces the co-existence of coldness and warmth, realizing the sentimental performance between sense and sensibility through every unexpected turn. The study room on contrary emphasizes on functional arrangement by taking consideration of the function of work processing.