Aaron Leppanen and Gabriela Anker tarapyndan MareNostrum Ýaşaýyş jaýy

Aaron Leppanen and Gabriela Anker tarapyndan döredilen MareNostrum Ýaşaýyş jaýy dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşBinagärlik· 2020

MareNostrum Ýaşaýyş jaýy

dizaýner: Aaron Leppanen and Gabriela Anker

Müşderi: Romero & Pazmiño Ingeniería Inmobilaria

Binagärlik Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#104748 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

MareNostrum Ýaşaýyş jaýy hakynda

MareNostrum – Ekwadoryň Kito şäherinde ýerleşýän sekiz gatly ýaşaýyş jaýydyr. Ady biziň deňzimizi aňladýan latyn adyndan gelip çykýar, öň ýüzi bolsa Rim floturlarynyň eşiklerini gaýtadan ýorumlaýar. Egri öň ýüz içki giňişligi daşarygy çenli uzaldýan uly balkonlary emele getirýär. Iki derejä uzalýan kesilen burçlar günden kölege berýär hem-de goňşularyň duşuşyp biljek ýerlerini döredýär. Jaýda süýtler, iki otagly we üç otagly kwartiralar we loftlar bolup, terrasada dynç alyş zonasy we ýaşyl meýdanlar bar. Passiw strategiýalar tebigy ýagtylyk we howa çalşygyny üpjün edýär.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

MareNostrum Ýaşaýyş jaýy A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. MareNostrum Ýaşaýyş jaýy ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. MareNostrum Ýaşaýyş jaýy köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
Ölçegler we Gaplama: The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
Bellikler: Sea , Waves , Urban , Facade , Residential
Önümçilik Tehnologiýasy: The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
Dizaýn Kynçylygy: The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
Gözleg: Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
Ylham: The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
Taslama Dowamlylygy: The project started in 2016 and was completed in 2019 in Quito, Ecuador.
Iş Akymy: The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
Topar Agzalary: Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena
Surat Awtorlary: BICUBIK