Tihana Miksa tarapyndan Past at Last Durnukly moda

Tihana Miksa tarapyndan döredilen Past at Last Durnukly moda dizaýny Moda, Egin-eşik we Geýim Dizaýny Bäsleşik Kategoriýasynda 2021 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşModa· 2021

Past at Last Durnukly moda

dizaýner: Tihana Miksa

Müşderi: Tihana Mikša

Moda Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Past at Last Durnukly moda hakynda

Egin-eşik kompozisiýalarynda baý, oýnawaç teksturalara we deň däl reňklenmä ünsi çekilýär. Şonuň netijesinde, eşikler simmetrik, ýönekeý we gurluşa çylşyrymly goşmaçalarsyz ýapyk görnüşlere eýe. Bu eserler wizual tarapy, degme duýgusyny, materiallylgy, janly hereketi we dokmalaryň arhitektonikasyny öwrenýär. Reňkler pes intensiwlikli we ahromaty bolup, diňe açyk spektriň içinde janlanýan gyzyl reňkler muňa kadadan çykma bolup durýar.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Past at Last Durnukly moda A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Past at Last Durnukly moda ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Past at Last Durnukly moda köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Bellikler: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Önümçilik Tehnologiýasy: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Dizaýn Kynçylygy: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Ylham: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Taslama Dowamlylygy: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Surat Awtorlary: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.