Tea Culture Çaý Medeniýeti Tejribe Zaly by Shenzhen Horizon Space Design Co.,Ltd is a highly esteemed winner of the very prestigious 2021 A' Design Award Kümüş Baýragy in Içki Giňişlik we Sergi Dizaýny Competition Category.
KümüşIçki Bezeg· 2021
Tea Culture Çaý Medeniýeti Tejribe Zaly
by Shenzhen Horizon Space Design Co.,Ltd
Client: Shenzhen Horizon Space Design Co.,Ltd
A' Design Award Kümüş Baýragy Winner in Içki Bezeg Category
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The Design
About Tea Culture Çaý Medeniýeti Tejribe Zaly
Çaý Medeniýeti — çaý dadyp görmek üçin rahat gurşaw hökmünde döredilen kiçi çaý medeniýeti tejribe zaly. Birnäçe keseligine we dikligine ýerleşen giňişlikler myhmanlaryň erkin gezip, biri-biri bilen duşuşyp ýa-da säginip yzyna göz aýlap biljek bir yzygiderli meýdana birleşdirilýär. Ýerleşiş şekli epilen kagyzdan ylham alyp döredildi we netijede emele gelen tarap görnüşleriniň üýtgeýşi içerki giňişlige hem nusgawy köşeşdirijiligi, hem-de häzirki zaman janlylygyny berýär. Inçe gözenekler kagyzyň üstki bezegini çalyşýar. Her giňişlik ýönekeý bir işe getirilýär, şeýlelikde myhmanlar çaý hödürlenmezinden öň dynç alyp bilýärler.
The Recognition
About the A' Design Award Kümüş Baýragy
Tea Culture Çaý Medeniýeti Tejribe Zaly A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Tea Culture Çaý Medeniýeti Tejribe Zaly ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Tea Culture Çaý Medeniýeti Tejribe Zaly köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
- Dimensions & Packaging
- What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
- Tags
- Tea Culture Exploration Hall
- Production Technology
- Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.
At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs. - Inspiration
- When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
- Team Members
- Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu
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