Parmenidis Longuepee Mari Team tarapyndan National Gallery Athens Muzeý

Parmenidis Longuepee Mari Team tarapyndan döredilen National Gallery Athens Muzeý dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2022 A' Design Award Altyn Baýragy baýragynyň abraýly ýeňijisidir.

AltynIçki Bezeg· 2022

National Gallery Athens Muzeý

dizaýner: Parmenidis Longuepee Mari Team

Müşderi: National Gallery of Greece

Içki Bezeg Kategoriýasynda A' Design Award Altyn Baýragy Ýeňijisi

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Reňkler

Dizaýn

National Gallery Athens Muzeý hakynda

Afinanyň Milli galereýasynyň 60-njy ýyllaryň döwrebap binasynda sergi otaglary açyk giňişlikde gezelenç ýaly dizaýn edildi. Içki dizaýn maglumat üçin agaç örtükli geçiş zolaklarynyň yzygiderliligi we her sergi funksiýasy üçin ýörite dizaýn edilen asmalan potolokly ak sergi otaglary hökmünde işlenip düzüldi. Seredişiň ugurlaryny, otaglaryň içinde we şähere tarap görnüşiň çuňlugyny, daşarky yşyk bilen baglanyşykly umumy yşyklandyryşy gözegçilikde saklamak we sungat eserlerini öňe çykarmak üçin materiallary we tehniki jikme-jiklikleri boýun egdirmek arkaly giňişlik erkin saýlama täsirini berýär.

Ykrar etme

A' Design Award Altyn Baýragy hakynda

National Gallery Athens Muzeý A' Design Award Altyn Baýragynyň ýeňijisidir; bu birinji derejeli, ajaýyp we tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Altyn ýeňijileri dizaýnerleriniň alymlygyny, paýhasyny we ussatlygyny görkezýän aşa täzelikçi, uzakgörüjilikli we göz gamaşdyryjy eserlerdir. National Gallery Athens Muzeý deňi-taýy ýok gymmat berýän, köp öwülýän, ugur kesgitleýän we ýadygärlik ýaly oýlap tapyş bolmagy garaşylýar. A' Design Award Altyn Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine uly peýda berýän we ony öňe sürýän ajaýyp, hormatly taslamadyr. National Gallery Athens Muzeý güýçli isleg duýgularyny döredýär, höwesi oýarýar, döredijiligi höweslendirýär we bizi haýran edýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Ölçegler we Gaplama: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Bellikler: museography, interior space, gaze, minimalism
Önümçilik Tehnologiýasy: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Dizaýn Kynçylygy: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Gözleg: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Ylham: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Taslama Dowamlylygy: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Iş Akymy: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Topar Agzalary: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Surat Awtorlary: All photos own to the team.