Ni Jie Guo tarapyndan Looping Flower Ikebana Medeni Giňişligi

Ni Jie Guo tarapyndan döredilen Looping Flower Ikebana Medeni Giňişligi dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2024 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2024

Looping Flower Ikebana Medeni Giňişligi

dizaýner: Ni Jie Guo

Müşderi: Blankspace

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

9,902

Tassyklanan Baýrak Ýeňijisi

#151842 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Looping Flower Ikebana Medeni Giňişligi hakynda

Ikebana sungaty dört paslyň geçişinde durmuş hakyndaky oýlanmadyr, bu ýapon estetikasynyň gysga pursatlaryny iň ýokary derejede ele almagy, gül we şahalaryň durmuşyny täzeden gurmagy we gurluşyň estetika bilen innowasiýa çaknyşygyny öz içine alýar. Tutuş giňişligiň dizaýny Kusatsuki-ryu ruhuna esaslanýar, adaty ýapon binagärliginden elementleri çykarýar we olary häzirki zaman binagärlik diline öwürip, abstrakt ýapon elementleri arkaly häzirki zaman gurluşygynyň we estetikanyň arasyndaky gatnaşygy öwrenýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Looping Flower Ikebana Medeni Giňişligi A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Looping Flower Ikebana Medeni Giňişligi uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Looping Flower Ikebana Medeni Giňişligi zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Ölçegler we Gaplama: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Bellikler: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Önümçilik Tehnologiýasy: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Dizaýn Kynçylygy: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Gözleg: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Ylham: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Taslama Dowamlylygy: The project started in August 2022 and finished in December 2022 in China .
Iş Akymy: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Topar Agzalary: NI JIE GUO
Surat Awtorlary: BLANKSPACE