Jyun Shen Zeng tarapyndan Holy Sky Ýaşaýyş jaýynyň interýer dizaýny

Jyun Shen Zeng tarapyndan döredilen Holy Sky Ýaşaýyş jaýynyň interýer dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2025

Holy Sky Ýaşaýyş jaýynyň interýer dizaýny

dizaýner: Jyun Shen Zeng

Müşderi: Kensing Interior Design

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

10,171

Tassyklanan Baýrak Ýeňijisi

#164377 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Holy Sky Ýaşaýyş jaýynyň interýer dizaýny hakynda

Holy Sky Taýwandaky hristian maşgalasy üçin döredilen ýaşaýyş jaýynyň interýer dizaýnydyr. 130 inedördül metrlik öýde pol serhet çyzyklary telewizor diwaryny we oturylýan meýdany kesgitlemek üçin ulanylýar, bu çyzyklar diwara uzaýyp haç şekilli bir görnüş emele getirýär. Potolok yşyklandyrmasy ýokardan aşak inýän ýagtylyk şöhlelerini ýada salýar, olar üç gapyny birleşdirýän tegelek geçelgede jemlenýär. Açyk meýilnama boýunça ýerleşiş dürli meýdançalary birleşdirip, giňişligiň ulanylyşyny giňeldýär. Üstlere meňzeş materiallar we reňkler ulanylyp, sazlaşykly bitewi görnüş döredilýär. Çydamly ýaşyl reňk we uýgunlaşdyrylýan möbel şkaflary geljekde ýüze çykjak zyňyndylary azaldýar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Holy Sky Ýaşaýyş jaýynyň interýer dizaýny A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Holy Sky Ýaşaýyş jaýynyň interýer dizaýny uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Holy Sky Ýaşaýyş jaýynyň interýer dizaýny zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: We created a symbol of Jesus’s arrival within the space, using floor boundary lines to define the TV wall and living area, extending all the way to the wall to form a cross-like image.
The surrounding ceiling lighting resembles rays of light pouring down from the heavens, converging in a circular corridor that seamlessly connects the three doors, creating a unique atmosphere within the space.
Ölçegler we Gaplama: This space is 130 square meters.
Bellikler: sacred,continue,light,arc,cross,natural
Önümçilik Tehnologiýasy: In the future, environmental protection on Earth will be a necessary consideration. Therefore, green materials were chosen for the paint.
Durability was also taken into account to reduce the need for repeated applications and minimize waste.
For the cabinetry, flexible designs were used, allowing for adaptability in future updates or space innovations.
This ensures that the cabinets can be continuously reused, reducing environmental waste and enhancing the potential for green materials and recycling.
Dizaýn Kynçylygy: In use, we need to consider different age groups, as their reach and habits vary. Therefore, we designed everything with ease of access and convenience in mind.
Whether it's the simple and intuitive color schemes or the natural flow of movement within the space, everything is aimed at improving the usability and functionality of the environment for users.
Gözleg: In our spatial design, we considered how to use the most efficient method to maximize the space's benefits without wasting any small areas, while also ensuring the overall aesthetics create a pleasant experience for users.
We used an open-plan layout to establish spatial connections and expanded space usage by overlapping areas. As a result, we created a comfortable living environment and enhanced interaction for multiple users within the same space.
Ylham: We drew inspiration for the design from Christianity. Since the users are a devout Christian family, we envisioned rays of light descending from heaven and the imagery of the cross, as well as using simple materials to shape the overall design in terms of form, color, and texture.
We also incorporated layers of light and shadow from the heavenly light, creating a sacred, simple, and natural spatial environment.
Taslama Dowamlylygy: Start in Taiwan in January 2024 and complete in Taiwan in September 2024
Iş Akymy: We used similar materials and colors for the various surface finishing needs. Whether it's the special paint for the TV wall, the cabinet doors in the entryway, or the flooring materials, everything is matched under the same theme.
This approach creates maximum harmony in the overall space, allowing each area to feel coordinated within the entire environment.
This, in turn, draws the user's attention and enhances their satisfaction with the space.
Topar Agzalary: Director JYUN SHEN ZENG
Surat Awtorlary: Chen Yun Chi，Holy，2024