Mina Aliyari tarapyndan Gordafarid Egin-eşik

Mina Aliyari tarapyndan döredilen Gordafarid Egin-eşik dizaýny Moda, Egin-eşik we Geýim Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirModa· 2025

Gordafarid Egin-eşik

dizaýner: Mina Aliyari

Müşderi: Kahkeshan Shahab Danesh

Moda Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Gordafarid Egin-eşik hakynda

Gordafarid gaýtadan ulanylan pars halylaryndan döredilen egin-eşikdir. Zaýalanan we ulanyp bolmajak el dokma halylar bedeniň ýokarky bölegini emele getirip, öz asyl gurluşyny saklaýarlar. Balaklar zygyr matadan, drapirovka tehnikasy bilen, eýran taýpalarynyň eşiklerinden ylham alnyp taýýarlanýar. Kelle sargysy eýran geometriýasyny origami tehnikasy bilen birleşdirýär. Metal ýaý simlerinden we matadan ýasalan şal bedende dürli görnüşlere getirilip bilner. Üýtgäp bilýän kemerler ölçegde we funksiýada üýtgeşmelere mümkinçilik berýär. Haly bölegi diwara asylyp ýa-da pola ýazylyp hem bilner.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Gordafarid Egin-eşik A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Gordafarid Egin-eşik uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Gordafarid Egin-eşik jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Ölçegler we Gaplama: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Bellikler: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Önümçilik Tehnologiýasy: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Dizaýn Kynçylygy: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Gözleg: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Ylham: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Taslama Dowamlylygy: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Iş Akymy: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Topar Agzalary: Mina Aliyari
Shahin Nayyer
Surat Awtorlary: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024