Mitsuhiro Shoji - Uchida Shanghai tarapyndan Work at Nagasaki Kowork Ofis Içki Giňişlik Dizaýny

Mitsuhiro Shoji - Uchida Shanghai tarapyndan döredilen Work at Nagasaki Kowork Ofis Içki Giňişlik Dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşIçki Bezeg· 2025

Work at Nagasaki Kowork Ofis Içki Giňişlik Dizaýny

dizaýner: Mitsuhiro Shoji - Uchida Shanghai

Müşderi: Regional Creation NAGASAKI Co, Ltd.

Içki Bezeg Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

19,942

Tassyklanan Baýrak Ýeňijisi

#168791 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Work at Nagasaki Kowork Ofis Içki Giňişlik Dizaýny hakynda

Work at Nagasaki — Ýaponiýanyň Nagasaki şäheriniň köne şäher merkezindäki binanyň onunjy we on birinji gatlarynda ýerleşýän kowork ofisdir. Iki gat jemi 4500 inedördül metr meýdany tutup, uly basgançak arkaly birleşdirilýär, bu basgançak çäreler geçirilende açyk seminar otagy hökmünde hem hyzmat edýär. Onunjy gatda kabul ediş meýdançasy, çäreler geçirilýän giňişlik we açyk ofis ýerleşýär. On birinji gatda ýapyk ofisler we giň görnüşli mejlisler otagy bar. Isahaýa daşy we Sendan agajy ýaly ýerli materiallar ulanyldy, 5,5 metrlik polat tekje bolsa gämi gurluşyk usullary bilen ýasaldy.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Work at Nagasaki Kowork Ofis Içki Giňişlik Dizaýny A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Work at Nagasaki Kowork Ofis Içki Giňişlik Dizaýny ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Work at Nagasaki Kowork Ofis Içki Giňişlik Dizaýny köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Located in the heart of Nagasaki's old city center and its rich natural surroundings, WORK@NAGASAKI is a workplace that blends the grandeur of the natural landscape with a contemporary work style.
This next-generation co-working space, which is based on the theme of incorporating the changing landscape over time, is a creative space that emerges with a sense of floating in the elegant nature of Nagasaki's landscape and urban materials, blending them together beautifully.
Ölçegler we Gaplama: The building consists of two floors totaling 4,500 square meters on the 10th and 11th floors, and the two floors are connected by a grand staircase.
The building is located in a prime location, surrounded by a rich natural environment and overlooking the mountain range and the old city.
The 10th floor consists of a reception area, event space, and open office space, with the floor and ceiling materials cut to create a rhythm of space without blocking the view of the large space.
The 11th floor consists of closed offices and a conference room with a rich view.
The grand staircase with a view of the landscape is used as an open seminar room during events and is planned as an important element of the space.
Bellikler: Office,coworkingspace,Nagasaki,shanghai
Önümçilik Tehnologiýasy: The project expresses a unique post-architectural, post-luxury design in contemporary Nagasaki, a city that has nurtured a unique culture influenced by Western and Chinese influences.
Materials, styles, and colors were sublimated into a design inspired by existing historical buildings and townscapes.
For example, Isahaya stone, which has been used for many years in Nagasaki's urban infrastructure, was used in its raw form for furniture without the need to make it more modern and primitive, and a 5.5-meter steel plate counter was placed in the space as an object using shipbuilding technology.
The design concept was adjusted based on multiple fieldwork sessions, such as tracing stone patterns commonly seen on streets and reflecting the lines of the Nagasaki mountain range in the louvers.
The goal was to create a deep spatial concept that is conscious of the continuity of the mixed design with the surrounding environment.
Dizaýn Kynçylygy: When considering the quality and strength of the space, we decided not to use melamine or printed sheet materials, which have been widely used in interior design in recent years, for the interior and furniture. This is because we feel that the control of space through texture is very important in reality, and that fine nuances cannot be achieved with fake materials. Therefore, it was very difficult to control details and costs for each design.
The low table in the VIP room is made of raw stone, so it took a long time to select a material that could be used as a table without processing. The tables weighed 350 kg and were difficult to install and carry in.
The wood used for the furniture and interior design was laminated wood and plywood made from a material called “Sendan” produced in the Nagasaki area, so we spent a lot of time coordinating with the producer after design.
Gözleg: Fieldwork was conducted. Teams of local residents and designers surveyed Nagasaki to find out what styles and materials are used in Nagasaki for the purpose of researching historical architecture in the surrounding area. The team investigated the origins of distinctive styles and materials, and visited the places of origin of materials to record their condition before processing or to collect samples to explore their potential for interior design. For lumber, stone, and iron sheets, we investigated the processing process in more detail, and considered the finished state in more detail. The collected materials were placed on a material board by type and color, and the design was studied to create a more nuanced design by combining them with new styles.
We concluded that the texture and strength of the materials may lead to a generosity of space that is currently lacking in interior design, and this had a major impact on the post-architectural and post-luxury ideas of this project.
Ylham: Research on the streets of Nagasaki through fieldwork.
Design inspiration was drawn from nature.
The main theme was to minimally incorporate aged natural materials and historical architectural styles influenced by other countries into the design.
Taslama Dowamlylygy: The project started in December 2022 in Nagasaki and finished in October 2024.
Iş Akymy: A space designed to creatively support interaction, development, and the emergence of a new economy in Nagasaki, targeting companies, students, and startups from around the world. The location can be freely chosen to stimulate creativity through all five senses while experiencing the changing natural landscape around the space.
The space can accommodate a team of １ to 30 people, and offers a high level of spatial hospitality with furniture and interior furnishings designed with materials from Nagasaki, Japan, for both concentration and interaction. The space can be selected from open and rough space to modern luxury space.
Space is available to visitors on a time basis.
Topar Agzalary: Architect:Mitsuhiro Shoji
Designer:Yasuhisa Makino
Designer:Makoto Hayashi
Photo:Kenta Hasegawa
Surat Awtorlary: Main Image : Photographer Kenta Hasegawa, nightscape,2025
Optional Image #1 : Photographer Kenta Hasegawa, High-quality VIP rooms,2025
Optional Image #2: Photographer Kenta Hasegawa, 5.5m long steel plate reception desk,2025
Optional Image #3 : Photographer Kenta Hasegawa, Private seats with a view of the landscape,2025
Optional Image #4 : Photographer Kenta Hasegawa, High-quality VIP rooms,2025