Miki Orihara tarapyndan Rinn Kyoto Miyagawasuji Hitotose Aki Myhmanhana içki dizaýny

Miki Orihara tarapyndan döredilen Rinn Kyoto Miyagawasuji Hitotose Aki Myhmanhana içki dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2025 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşIçki Bezeg· 2025

Rinn Kyoto Miyagawasuji Hitotose Aki Myhmanhana içki dizaýny

dizaýner: Miki Orihara

Müşderi: Rinn Kyoto Miyagawasuji Hitotose Aki

Içki Bezeg Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Reňkler

Dizaýn

Rinn Kyoto Miyagawasuji Hitotose Aki Myhmanhana içki dizaýny hakynda

Rinn Kyoto Miyagawasuji Hitotose Aki — Kiotoda däp bolan köçe keşbini saklaýan Miyagawa-suji köçesinde ýerleşýän myhmanhananyň içki giňişligidir. Dizaýn binalaryň reňkleri, görnüşleri we stilleri baradaky berk ýerli kadalara laýyk gelýär. Yşyklandyryş meýilnamasy myhmanlary girelgedäki öçügsi yşykdan has ýagty otaglara alyp barýar, göni däl yşyklandyryş bolsa diwarlaryň tekstura aýratynlygyny açyp görkezýär. Ýerli kagyz ussady bilen taýýarlanan waşi kagyzy kakişibu işlenişi, koýori towlamasy we fukuro-bari gatlaklamasy ýaly birnäçe usulda ulanylýar. Maksat — rahat düşlemek üçin asuda we mähirli giňişlik döretmekdir.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Rinn Kyoto Miyagawasuji Hitotose Aki Myhmanhana içki dizaýny A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Rinn Kyoto Miyagawasuji Hitotose Aki Myhmanhana içki dizaýny ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Rinn Kyoto Miyagawasuji Hitotose Aki Myhmanhana içki dizaýny köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This facility is located on Miyagawa-suji and features a design that emphasizes harmony with its surroundings. The lighting plan makes full use of materials and cooperation with a local washi paper artist has been designed with local production for local consumption in mind. Kakishibu washi paper and the koyori technique are used to add shading, aiming to create a facility with concern and warmth in the traditional streetscape.
Ölçegler we Gaplama: Although Japanese paper is used extensively, it is expressed in a variety of ways. Japanese paper mixed with clay and colored Japanese paper plus plastering, kakishibu, which has been used since ancient times for its antiseptic and water-repellent properties koyori, in which Japanese paper is picked up and twisted by hand fukuro-bari, in which the surface is covered to seal the cavity, and furthermore, lighting is installed in the cavity.
Bellikler: Interior Design, Hotel Luxury, Living space, Guesthouse, Asia , Japan
Önümçilik Tehnologiýasy: Kyoto has strict regulations in place to protect its traditional landscape, and the colors, shapes and designs of buildings must conform to a prescribed style. We have actively worked to comply with these regulations, incorporating external lighting into the interior of the first floor without any sense of incongruity, and creating a “stillness” and “movement” atmosphere on the second floor, created by Kyoto artisans.
Dizaýn Kynçylygy: While overcoming the strict landscape regulations, how can we create a new style without destroying the good image that many people have of Kyoto's machiya? We also carefully considered what kind of measures would be needed to ensure that guests would be comfortable in the hot summers and cold winters.
Gözleg: We held discussions with the Japanese paper artists about colors and construction methods, and solved the problem in a variety of ways. We also reread works such as Junichiro Tanizaki's In Praise of Shadows, E. Oryong's The Shrinking Japanese Mind and Bruno Taut's Nippon and summarized our way of thinking.
Ylham: The space has been created to reflect the Japanese aesthetics of drawing in, with the intention of capturing the atmosphere of Miyagawa-cho, Kyoto, inside the room. To change from the dim light upon arrival at the inn to the brightness of the interior, the lighting is based on Junichiro Tanizaki's In ei Raisan. In the guest rooms, indirect lighting is used to accentuate the texture of the walls, and the materials and lighting are carefully selected.
Taslama Dowamlylygy: 605-0801 4-297-10 Miyagawasuji Higashiyama-ku Kyoto city
Completed on October 26, 2023.
Iş Akymy: Design plays an important role in shaping cities. I also think it has a role to play in passing on culture to the next generation. I hope this book will be a chance for many people to learn about the importance of design.
Topar Agzalary: Lead Designer : Miki Orihara
Interior Designer : Mao Namikawa
Graphic Designer : Kei Sakai
Washi paper-making artist : Wataru Hatano
Surat Awtorlary: Main Image / Toshihide Kajiwara
Image #1 / Toshihide Kajiwara
Image #2 / Toshihide Kajiwara
Image #3 / Toshihide Kajiwara
Image #4 / Toshihide Kajiwara