Nastaran Khanzade tarapyndan döredilen Seylan Diwan toplumy dizaýny Mebel Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.
KümüşMebel· 2026
Seylan Diwan toplumy
dizaýner: Nastaran Khanzade
Müşderi: Rendi
Mebel Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi
Tassyklanan Baýrak Ýeňijisi
#174865 üçin Baýrak Ýagdaýyny BarlaňDizaýn
Seylan Diwan toplumy hakynda
Seylan häzirki zaman ýaşaýyş giňişlikleri üçin niýetlenen diwan toplumydyr. Onuň görnüşi pars Nastalyk hatynyň akyp duran egri çyzyklaryndan ylham alnandyr. Üznüksiz çyzyklar we ýumşak egrelmeler ýiti burçlaryň ýerini tutýar, şonuň üçin diwan toplumy her tarapdan heýkeltaraşlyk eseri ýaly görünýär. Gurluşy gaty agaçdan ýasalyp, CNC kesiş arkaly şekillendirilýär, soňra el bilen oýulýar, ýylmanýar we timarlanýar. Oturgyç bölegi gatlakly ýokary dykyzlykly köpükden ýasalyp, mata bilen örtülendir, egri çyzyklar bolsa rahat oturyş ýagdaýyny üpjün edýär. Toplum bir orunlyk we üç orunlyk diwanlardan ybaratdyr. Maksat — däp bolan senetçiligi häzirki zaman içki bezeglerine getirmekdir.
Ykrar etme
A' Design Award Kümüş Baýragy hakynda
Seylan Diwan toplumy A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Seylan Diwan toplumy ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Seylan Diwan toplumy köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.
Dizaýnyň sahna arkasy
Metbugat toplumy
Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.
- Üýtgeşik Aýratynlyklar
- What sets this design apart is its ability to translate intangible rhythm into physical design. Unlike conventional modular or geometric sofas, this piece is born of movement; an uninterrupted gesture that echoes the energy of writing. It is not only functional but also emotionally resonant, rooted in Iranian visual culture yet universal in elegance.
- Ölçegler we Gaplama
- Single Seater Dimensions:
W 85 cm × D 75 cm × H 75 cm
Three Seater Dimensions:
W 210 cm × D 80 cm × H 75 cm
Materials:
Solid Wood Structure, High-Density Foam, Fabric Upholstery
Production Technique:
CNC Machining Combined With Hand Carving And Finishing
Packaging:
Protective Wrapping With Padded Corners, Suitable For International Shipping - Bellikler
- Furniture Design, Modern Sofa, Sculptural Furniture, Fluid Form, Ergonomic Seating, CNC Woodwork, Handmade Finish, Minimal Form, Contemporary Design, Iranian Design, Artistic Furniture, Flowing Lines, Organic Shape, Calligraphy Inspired, One-Piece Form, Seamless Design
- Önümçilik Tehnologiýasy
- The structure of the sofa set is crafted through a combination of CNC precision cutting and traditional hand-carving techniques. Solid wood is sculpted to achieve the flowing, calligraphy-inspired curves, then meticulously sanded and finished by hand to enhance its tactile and visual elegance. The seating is constructed using high-density foam layered for ergonomic comfort, upholstered with carefully selected fabric to complement the organic form. This blend of digital accuracy and artisanal craftsmanship allows the piece to maintain both structural integrity and sculptural fluidity.
- Dizaýn Kynçylygy
- One of the key challenges was creating a unified and continuous form that feels both sculptural and inviting. The design process involved extensive studies to develop a shape that maintains visual fluidity from every angle while also functioning as ergonomic seating. Preserving the harmony between curves, ensuring structural integrity, and integrating all parts into a seamless whole required a careful balance between digital precision and handcrafted sensitivity. Achieving this unity while working within material and production limitations was a central creative and technical effort.
- Gözleg
- This design explores the integration of traditional Persian calligraphy, specifically the fluid curves of the Nasta'liq script, into contemporary furniture design. The form is characterized by a seamless, organic flow without sharp angles, reflecting the graceful and harmonious movement of the Nasta'liq lines. The absence of rigid structures emphasizes comfort, fluidity, and elegance, creating a unified form that adapts to both functional and aesthetic needs. The design aims to bring cultural heritage into the modern living space, bridging the gap between timeless artistry and modern design principles. Through this project, I seek to create a piece of furniture that not only serves as a functional object but also as a work of art that carries the essence of Persian craftsmanship into contemporary contexts.
- Ylham
- The core inspiration for this design is “Seylan” (the fluid, continuous motion that defines the elegance of Persian Nastaliq calligraphy). In Nastaliq, letters do not simply sit beside each other; they flow with grace, as if carried by a silent internal rhythm. This flowing quality is not just visual; it is deeply emotional, creating a sense of calm movement.
This sofa seeks to capture that motion in space. Its seamless form, soft curves, and uninterrupted structure reflect the essence of Seylan. - Taslama Dowamlylygy
- The project began in January 2025 and was completed in April 2025. The prototype was designed and built in Mashhad, Iran, at the Rendi Furniture Factory.
- Iş Akymy
- The user engages with the sofa through intuitive physical interaction; by sitting, leaning, or resting. The flowing curves naturally guide the posture, offering comfort without requiring adjustment. The tactile quality of the carved wood and the softness of the fabric enhance the sensory experience. Beyond seating, the piece invites visual interaction, encouraging users to move around it, observe its lines, and feel its sculptural presence in the space.
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