Polymorphic Corp. and Goodjob Corp. tarapyndan Contemporary Archaeology Hall Esasy wezipe: Sergi

Polymorphic Corp. and Goodjob Corp. tarapyndan döredilen Contemporary Archaeology Hall Esasy wezipe: Sergi dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçIçki Bezeg· 2026

Contemporary Archaeology Hall Esasy wezipe: Sergi

dizaýner: Polymorphic Corp. and Goodjob Corp.

Müşderi: National Museum of Prehistory

Içki Bezeg Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#177052 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Contemporary Archaeology Hall Esasy wezipe: Sergi hakynda

Kitap teksti: Döwrebap Arheologiýa Zaly arheologiýany geçmişi häzirki zaman jemgyýeti bilen baglanyşdyrýan pikirlendiriji syýahata öwürmek üçin innowasion dizaýn we tehnologiýa peýdalanýar. Myhmanlar wagt syýahatçylaryna öwrülip, Moai heýkelleri bilen doly Rapa Nui adasy, wulkan atylmazdan öňki Akrotiri harabalyklary we wiking zenan söweşijisiniň gadymy mazary ýaly ýerlerde arheologik syrlary öwrenýärler. Bu ýoluň dowamynda olar döwrebap jemgyýetçilik kynçylyklary we mümkin bolan çözgütler barada oýlanýarlar.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Contemporary Archaeology Hall Esasy wezipe: Sergi A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Contemporary Archaeology Hall Esasy wezipe: Sergi uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Contemporary Archaeology Hall Esasy wezipe: Sergi zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Through innovative design, the Contemporary Archaeology Hall transforms archaeology into a reflective journey that links the past with today’s society. Visitors become time travellers, venturing into sites such as Rapa Nui, where the Moai are located; Akrotiri, destroyed by a volcanic eruption; and the burial of a female Viking warrior. Along the way, they uncover the mysteries of archaeology while confronting the challenges faced by contemporary society and considering possible solutions.
Ölçegler we Gaplama: Independent exhibition hall comprising 570 square meters of indoor galleries and 190 square meters of outdoor space, with ceiling heights ranging from 5 m to 6.8 m. The exhibition includes six thematic sections, three immersive theatres, seven digital interactive installations, twelve display cases, and a large collection of physical artefacts and replicas.
Bellikler: Contemporary Archaeology Hall， National Museum of Prehistory， Polimorphic Design Co., Ltd.， Archaeology， Permanent Exhibition ， Time Travellers
Önümçilik Tehnologiýasy: Interior Fit-Out: In addition to traditional materials and methods, this project makes bold use of a wall and ceiling system that combines flame-retardant lightbox fabric with an aluminium alloy framework.
Audiovisual Installation: The audiovisual content for this exhibition is primarily produced using 3D CGI animation. Virtual characters are created through facial 3D scanning and motion capture technologies.
Dizaýn Kynçylygy: The greatest difficulty of this project lay in the challenges inherent in pursuing innovation.
We actively adopted new materials, methods, and technologies, bringing together expertise from interior design, 3D CGI production, motion capture, lighting, and mechanical prop control. These unprecedented attempts added complexity and uncertainty to the process, yet everything proved worthwhile in the moment of completion.
Gözleg: This project constructs a platform for dialogue, using the stories behind the exhibits as bridges for connection: dialogues between past and present, between archaeologists and the public, and among visitors themselves. For us, this is more than an archaeological exhibition; it is also a demonstration of how the humanities can engage with contemporary issues through care and advocacy.
Ylham: Inspired by a journey through time and space, this exhibition invites visitors to move freely across different eras and regions, exploring the life stories of prehistoric peoples. To realise this vision, we have drawn on a wealth of archaeological research, transforming it into stories that are both informative and engaging. Through a combination of physical displays, digital interaction, and immersive theatre, we present an archaeological exhibition like no other.
Taslama Dowamlylygy: The project was launched on 5 May 2023 and will be on display from 28 June 2025 at the National Museum of Prehistory, Taiwan.
Iş Akymy: During the visit, audiences become time travellers, engaging with rich audiovisual interactions to explore archaeological findings on themes such as gender, coexistence with nature, and food crises, while reflecting on the challenges of contemporary society and possible solutions. At the end of the journey, visitors can share their perspectives with fellow travellers through a digital message wall.
Topar Agzalary: Fan-Chieh Chien
Jian-Liang Lai
Chih-Chiang Kuo
Hui-Yu Chuang
Shih-Han Wang
Yen-Ling Liu
Yi-Han Chen
Ting-Ting Chen
Ren-Jie Chen
Yao-Jheng Wang
Shih-Kai Lin
Chi-Yao Liao
Yi-Tsu Yuan
Xuan Li
Ruei-Sing Lin
Fei Wang
Ming-Cheng Liu
Ching-Tai Chuang
Yi-Ren Chen
Fu-Jhih Lei
Surat Awtorlary: Fan-Chieh Chien，Contemporary Archaeology Hall，2025