Daisuke Nagatomo and Minnie Jan tarapyndan Arrival Instalýasiýa sungaty, Yşyk instalýasiýasy

Daisuke Nagatomo and Minnie Jan tarapyndan döredilen Arrival Instalýasiýa sungaty, Yşyk instalýasiýasy dizaýny Yşyklandyryş Taslamalary we Ýagtylyk Sungaty Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Bürünç Baýragy baýragynyň abraýly ýeňijisidir.

BürünçYşyklandyryş Taslamalary· 2026

Arrival Instalýasiýa sungaty, Yşyk instalýasiýasy

dizaýner: Daisuke Nagatomo and Minnie Jan

Müşderi: MisoSoupDesign

Yşyklandyryş Taslamalary Kategoriýasynda A' Design Award Bürünç Baýragy Ýeňijisi

10,805

Tassyklanan Baýrak Ýeňijisi

#180159 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Arrival Instalýasiýa sungaty, Yşyk instalýasiýasy hakynda

Arrival — iki sany dik üst-üste goýlan, gaýtadan işlenen ýük konteýnerlerinden gurlan wagtlaýyn yşyk instalýasiýasydyr. Konteýnerler porta girýän gäminiň burnundan ylham alnan egri polat ýüzli, ýöräp geçip bolýan dar geçelgäni emele getirýär. Iki ujundaky aýnalar şäheri, deňzi we myhmanlary şöhlelendirip, hakyky giňişlik bilen şöhlelenmäniň arasyndaky araçägi bulaşdyrýar. Içine ornaşdyrylan LED yşyklandyryş we duman ulgamy agşam sagatlarynda geçelgäni janlandyrýar. Arrival ulanyşdan galan senagat materiallarynyň özüne çekiji jemgyýetçilik sungat eserine öwrülip bilýändigini görkezýär.

Ykrar etme

A' Design Award Bürünç Baýragy hakynda

Arrival Instalýasiýa sungaty, Yşyk instalýasiýasy A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Arrival Instalýasiýa sungaty, Yşyk instalýasiýasy uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Arrival Instalýasiýa sungaty, Yşyk instalýasiýasy zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Ölçegler we Gaplama: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Bellikler: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Önümçilik Tehnologiýasy: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Dizaýn Kynçylygy: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Gözleg: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Ylham: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Taslama Dowamlylygy: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Iş Akymy: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Topar Agzalary: Jenny Yeh, Sugar Hu
Surat Awtorlary: Kaohsiung Art Museum