Thiago Mondini tarapyndan Vitrine MDS Esasy wezipesi: Sergi

Thiago Mondini tarapyndan döredilen Vitrine MDS Esasy wezipesi: Sergi dizaýny Söwda Sergisi Binagärligi, Içki Bezeg we Sergi Dizaýny Bäsleşik Kategoriýasynda 2026 A' Design Award Demir Baýragy baýragynyň abraýly ýeňijisidir.

DemirSöwda Sergisi· 2026

Vitrine MDS Esasy wezipesi: Sergi

dizaýner: Thiago Mondini

Müşderi: Thiago Mondini Arquitetura

Söwda Sergisi Kategoriýasynda A' Design Award Demir Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#180515 üçin Baýrak Ýagdaýyny Barlaň

A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Vitrine MDS Esasy wezipesi: Sergi hakynda

Kitap teksti: Bu giňişlik dükanyň içinde wagtlaýyn sergi hökmünde döredilip, ofis mebellerini has köp galereýa meňzeş we az täjirçilikli görnüşde hödürlemegi maksat edinýär. Resmi söwda görkezişiniň ýerine, ýerleşiş her bir esere has köp üns we aýdyňlyk bilen syn etmäge mümkinçilik berýär. Dükanyň goýy çal reňkli içki bezegi diýen ýaly monohromly matalaryň we timarlaýyş serişdeleriniň baý saýlanmasy üçin garşylykly fon hökmünde çykyş edýär. Bu öwüşginler her bir eseriň dizaýnyny we jikme-jikliklerini nygtamak üçin, umumy düzümi rahat we wizual taýdan deňagramly saklamak bilen, seresaply saýlanyldy.

Ykrar etme

A' Design Award Demir Baýragy hakynda

Vitrine MDS Esasy wezipesi: Sergi A' Design Award Demir Baýragynyň ýeňijisidir; bu gowy dizaýn edilen eserlerden garaşylýan hünär we senagat talaplaryny kanagatlandyrýan gowy dizaýnlara berilýän abraýly ykrarnamadyr. Demir ýeňijileri döredijileriniň uly başarnygyny, ýokary ugurlaşygyny, hünärmen düşünjesini we döredijilik ukybyny görkezýär. Vitrine MDS Esasy wezipesi: Sergi uly baha berilýän, haýran galynýan we söýülýän, amaly we täzelikçi eser bolmagy garaşylýar. A' Design Award Demir Baýragyny gazanan bu dizaýn pudagyň iň oňat tejribelerini birleşdirýär we bilim we zehin bilen baglanyşykly ukyply tehniki aýratynlyklara eýedir. Vitrine MDS Esasy wezipesi: Sergi jikme-jikligi üçin hormatlanylýar we dünýäni has gowy ýere öwürmäge kömek edýän ýaşaýyş hilini gowulandyrýan zatlary hödürlemek üçin dizaýn edilendir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: This exhibition was conceived for a retail space with the intention of presenting office furniture in a way that moves beyond the conventional office setting. Rather than emphasizing functionality alone, the design creates an environment where the pieces can be experienced from a more expressive perspective. Through the use of color, materials, and atmosphere, the space becomes a vibrant and sensorial experience that invites visitors to engage with the furniture in an unexpected way.
Ölçegler we Gaplama: 17 square meters of exhibition space inside an office-furniture store.
Bellikler: exhibition, interiors, interior design, office, office space, furniture, store, brazil, brasil
Önümçilik Tehnologiýasy: The design process focused on carefully selecting finishes to create a cohesive yet nuanced composition. A predominantly monochromatic palette formed the base concept, while subtle variations in fabric textures and tones were used to give each piece its own identity. Another challenge was working with a limited range of products, as the exhibition prioritized newly launched items for the inaugural event. This constraint required strategic curation and thoughtful spatial arrangement to create visual richness with a small selection.
Dizaýn Kynçylygy: The challenge lay in presenting diverse products within a single space without visual conflict. The solution embraced a monochromatic palette, allowing each piece to be highlighted individually while maintaining a harmonious and cohesive overall composition.
Gözleg: Type of research was design-focused, aimed at exploring non-commercial ways to present office furniture. Objectives included highlighting product design and creating an engaging, sensorial experience. Methodology combined visual analysis, material studies, and spatial composition. Data collection used fabric samples, color tests, and mock-ups, with feedback from store staff and visitors. Results showed subtle contrasts enhanced perception of each piece. Insights revealed careful curation can elevate product presentation, influencing retail design and customer engagement.
Ylham: Color contrast and color blocks. Cozyness, textures and good lighting. Interesting shapes and compositions. This is a space to feel at home, not at an office.
Taslama Dowamlylygy: The project started in June 2025 and finished in August 2025. It was displayed in Balneario Camboriu, Brazil.
Iş Akymy: Interaction happens through movement and perception. As visitors walk through the exhibition, each furniture piece is revealed within a carefully composed visual sequence. The monochromatic palette creates a calm base, while subtle variations in fabrics and finishes encourage closer observation. This approach allows each object to stand out individually without visual conflict, transforming a conventional retail display into a more immersive and gallery-like experience.
Topar Agzalary: Architect: Thiago Mondini
Surat Awtorlary: Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso