Ryumei Fujiki & Yukiko Sato tarapyndan The House for Contemporary Art Ýaşaýyş Jaýy

Ryumei Fujiki & Yukiko Sato tarapyndan döredilen The House for Contemporary Art Ýaşaýyş Jaýy dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2016 A' Design Award Altyn Baýragy baýragynyň abraýly ýeňijisidir.

AltynBinagärlik· 2016

The House for Contemporary Art Ýaşaýyş Jaýy

dizaýner: Ryumei Fujiki & Yukiko Sato

Müşderi: F.a.d.s

Binagärlik Kategoriýasynda A' Design Award Altyn Baýragy Ýeňijisi

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Tassyklanan Baýrak Ýeňijisi

#42791 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

The House for Contemporary Art Ýaşaýyş Jaýy hakynda

Bu jaý “sungat muzeýi ýaly jaý” isleýän sungat işgäri we höwesjeň suratkeş üçin döredildi. Howa aýlanyşyna, şeýle hem Seaaponiýa deňziniň kenarýaka, garly howasyna üns bilen meýilleşdirilen bu gurluş, suratlar ýaly giňişlikleri düzýän dürli ölçegdäki ak gutulardan durýar. Esasy düşünjeleriň biri & # 039; bökdençsiz giňişlik düzümi & # 039;. Bu öýdäki boşluklardan, muzeýdäki galereýalardan geçýän ýaly, eýesiniň çeper eserler ýygyndysyna seredip bilersiňiz.

Ykrar etme

A' Design Award Altyn Baýragy hakynda

The House for Contemporary Art Ýaşaýyş Jaýy A' Design Award Altyn Baýragynyň ýeňijisidir; bu birinji derejeli, ajaýyp we tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Altyn ýeňijileri dizaýnerleriniň alymlygyny, paýhasyny we ussatlygyny görkezýän aşa täzelikçi, uzakgörüjilikli we göz gamaşdyryjy eserlerdir. The House for Contemporary Art Ýaşaýyş Jaýy deňi-taýy ýok gymmat berýän, köp öwülýän, ugur kesgitleýän we ýadygärlik ýaly oýlap tapyş bolmagy garaşylýar. A' Design Award Altyn Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine uly peýda berýän we ony öňe sürýän ajaýyp, hormatly taslamadyr. The House for Contemporary Art Ýaşaýyş Jaýy güýçli isleg duýgularyny döredýär, höwesi oýarýar, döredijiligi höweslendirýär we bizi haýran edýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: SEAMLESS SPATIAL COMPOSITION
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.

RESPONSE TO THE ENVIRONMENT
The first was dealing with the snow. In regions with heavy snow, the shape of the roof is very important. Many homes are built on the assumption that someone will shovel the snow off the roof, but that’s a lot of heavy work, and dangerous. We decided on a flat roof with no parapet that would stay relatively snow-free because of wind action.
Our second thing was to create good airflow.
Ölçegler we Gaplama: Site Area 246.48 sqm / Building Area 137.10 sqm / Total Floor Area 135.56 sqm
Bellikler: House like an Art Museum, Seamless Spatial Composition, Response to the Environment (Nature), Dealing with the Snow, Natural Ventilation
Önümçilik Tehnologiýasy: Reinforced Concrete 1 Story
Dizaýn Kynçylygy: To encourage natural ventilation, we created a temperature differential by designing two gardens, one on the south side that would warm up easily, and one on the north side that would remain cool. This is a traditional design method used in Kyoto townhouses.
Gözleg: It goes without saying that our top priority was fulfilling the client’s wishes. We began by measuring the many works of art that the client had created and collected over the years. Next, we held a number of planning meetings to discuss where to display each work of art, among other issues. For instance, we determined the height of the living room ceiling based on the wall size that could accommodate a painting measuring over 1.5 x 1 meter. In addition to the art collection, the client also has a large number of old records, mostly jazz. It was important for us to figure out a way to display them.
Ylham: We designed this home for an art appreciator and amateur artist who wanted a house like an art museum. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures.
Taslama Dowamlylygy: Fukui Prefecture, JAPAN
Iş Akymy: You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
Topar Agzalary: Ryumei Fujiki
Yukiko Sato
Yasutaka Konishi (Structural Engineer)
Osamitsu Kagenaga (MEP/FP Engineer)
Kazuo Shuto (Electrical Engineer)
Matsuta Koumuten Co., Ltd. (Contractor)
Kazunari Yamada (Constr. Manager)
Eijiro Yamagata (Constr. Manager)
Hiroshi Ueda (Photographer)
Surat Awtorlary: Hiroshi Ueda, F.A.D.S