Larry Wen tarapyndan Shanxiao Sales Pavilion Satyş Ofisi

Larry Wen tarapyndan döredilen Shanxiao Sales Pavilion Satyş Ofisi dizaýny Binagärlik, Bina we Desga Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Altyn Baýragy baýragynyň abraýly ýeňijisidir.

AltynBinagärlik· 2020

Shanxiao Sales Pavilion Satyş Ofisi

dizaýner: Larry Wen

Müşderi: Aoe

Binagärlik Kategoriýasynda A' Design Award Altyn Baýragy Ýeňijisi

60,582

Tassyklanan Baýrak Ýeňijisi

#87169 üçin Baýrak Ýagdaýyny Barlaň

Sahypa giriň A' Design Award-da görüň Metbugat beýannamasy Baýrak nyşany

Reňkler

Dizaýn

Shanxiao Sales Pavilion Satyş Ofisi hakynda

Dizaýner myhmanlaryň 'tebigata gizlenlik' sungat düşünjesini başdan geçirmegini maksat edinipdir. Tutuş taslamanyň iki bölegi bar: satyş ofisi we söwda zolagy. Satyş ofisi binanyň kiçiräk bölegi bolsa-da, ajaýyp we inçe estetika bilen ýerine ýetirilipdir. Ol tebigy görnüşde döredilip, tebigata gizlenip, şeýlelik bilen 'tenhalyk' düşünjesini öňe çykarýar.

Ykrar etme

A' Design Award Altyn Baýragy hakynda

Shanxiao Sales Pavilion Satyş Ofisi A' Design Award Altyn Baýragynyň ýeňijisidir; bu birinji derejeli, ajaýyp we tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Altyn ýeňijileri dizaýnerleriniň alymlygyny, paýhasyny we ussatlygyny görkezýän aşa täzelikçi, uzakgörüjilikli we göz gamaşdyryjy eserlerdir. Shanxiao Sales Pavilion Satyş Ofisi deňi-taýy ýok gymmat berýän, köp öwülýän, ugur kesgitleýän we ýadygärlik ýaly oýlap tapyş bolmagy garaşylýar. A' Design Award Altyn Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine uly peýda berýän we ony öňe sürýän ajaýyp, hormatly taslamadyr. Shanxiao Sales Pavilion Satyş Ofisi güýçli isleg duýgularyny döredýär, höwesi oýarýar, döredijiligi höweslendirýär we bizi haýran edýär.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: The designer refined the traditional architectural culture and natural landscape of Nanshan as the main tempo, and used modern technical language and artistic creation techniques to transform it into our architectural language, so that visitors can experience the artistic conception of hidden in the nature.
Ölçegler we Gaplama: Width 19800mm x Depth 19800mm x Height 12400mm
Bellikler: curtain wall, fog, poetry, lifestyle
Önümçilik Tehnologiýasy: The facade uses the perforated plate as the louver to protect the sunshine, and the shape of louver is inspired by the cloud of Nanshan. The perforated leaves float around the curtain wall. It resembles a long scroll landscape painting, and its changes show the shape of the clouds and fog that stretches in the Nanshan. The glass curtain walls with gradual mist and perforated louvers are integrated so that the whole building seems floating in the clouds.
Dizaýn Kynçylygy: The project is located in Nanshan, Chongqing. Nanshan located on the south bank of the Yangtze River in Chongqing which has a wealth of tourism resources including natural scenery, cultural landscape and specialties. In recent years, Nanshan has successively appeared some commercial buildings with cultural connotations such as bookstores and homestays. These buildings are simple in design and distinctive in shape, which has made Nanshan gradually become a synonym for elegant and introverted. And its artistic conception is correspond to Tao's poetry.
Gözleg: At the same time, there are spraying device will create fog around the building everyday. It makes the natural fog become another layer facade for the building, creating a wonderland of Nanshan. The building is not only an architecture but a cultural event.
Ylham: The entire project has two parts, the sales office and the commercial part. The sales office has small scale but exquisite and delicate. It is naturally engraved and hidden in nature, thus highlighting the concept of seclusion.
Taslama Dowamlylygy: The project started in 2018 and finished in August 2019 in Chongqing, China.
Iş Akymy: As a major theoretical perspective within sociology, symbolic interaction helps us understand how the designed physical environment and the self are intertwined, with one potentially influencing and finding expression in the other; how architecture contains and communicates our shared symbols; and how we assign agency to some of our designed physical environment, which then invites in a different kind of self-reflection.
Topar Agzalary: Larry Wen, Liu Chen,Li Pengyong, Niu Zhuojun, Yang Kaiqi
Surat Awtorlary: Ligang Huang