Chengzhe Zhang tarapyndan Wonderland Sergi merkeziniň içki dizaýny

Chengzhe Zhang tarapyndan döredilen Wonderland Sergi merkeziniň içki dizaýny dizaýny Içki Giňişlik we Sergi Dizaýny Bäsleşik Kategoriýasynda 2020 A' Design Award Kümüş Baýragy baýragynyň abraýly ýeňijisidir.

KümüşIçki Bezeg· 2020

Wonderland Sergi merkeziniň içki dizaýny

dizaýner: Chengzhe Zhang

Müşderi: Shanghai Hongshida Real Estate Development Co., LTD

Içki Bezeg Kategoriýasynda A' Design Award Kümüş Baýragy Ýeňijisi

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Reňkler

Dizaýn

Wonderland Sergi merkeziniň içki dizaýny hakynda

Wonderland – Hytaýyň Şanhaý şäherinde ýerleşýän sergi merkeziniň içki interýeridir. Dizaýn Min nesilşalygynyň suratkeşi Sýu Iniň "Taoýuan Wonderland" atly peýzaž suratyndan ylham alýar we asuda giňişlige ýaşyl, gülgüne we ak öwüşginleri berýär. Çal slanes diwary ilki bilen görnüşi gizleýär, esasy on metr belentlikdäki zal bolsa ýoluň ugry boýunça açylýar. Merkezi geçelge maslahat zonasyna, sergi zonasyna we çaýhana alyp barýar. Pola oturdylan kitap tekjeleri we geometrik oýma bölekler zolaklary bölýär. 5000-den gowrak şetdaly ýapragyndan ybarat asma aýna gurnamasy elde oturdyldy.

Ykrar etme

A' Design Award Kümüş Baýragy hakynda

Wonderland Sergi merkeziniň içki dizaýny A' Design Award Kümüş Baýragynyň ýeňijisidir; bu owadan, belent we täsirli ýokary derejeli dizaýnlara berilýän adatdan daşary abraýly ykrarnamadyr. Kümüş ýeňijileri dizaýnerleriniň ajaýyp bilimini, zehinini we ýiti aňyny görkezýän aşa ýalpyldawuk we örän döredijilikli eserlerdir. Wonderland Sergi merkeziniň içki dizaýny ajaýyp, nusgalyk, üns çekiji derejede hünärmenlikli we çuňňur täzelikçi eser bolmagy garaşylýar. A' Design Award Kümüş Baýragyny gazanan bu dizaýn sungatyň, ylmyň, dizaýnyň we tehnologiýanyň çäklerine peýda berýän we ony öňe sürýän örän üns çekiji, haýran galynýan oýlap tapyşdyr. Wonderland Sergi merkeziniň içki dizaýny köpüň gabanjyna sezewar bolýan, isleglerimizi oýarýan, oňyn duýgulary getirýän we haýranlyk we geň galmagy döredýän eserdir.

Dizaýnyň sahna arkasy

Metbugat toplumy

Dizaýner tarapyndan berlen kreditler, topar agzalary we tehniki maglumatlar.

Üýtgeşik Aýratynlyklar: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Ölçegler we Gaplama: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Bellikler: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Önümçilik Tehnologiýasy: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Dizaýn Kynçylygy: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Gözleg: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Ylham: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Taslama Dowamlylygy: The Project started in January 2018 in Shanghai China
Iş Akymy: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Topar Agzalary: Mingxin Lu
Yunhui Tang
Surat Awtorlary: Main Image: Photographer Hai Zhu, 2018