Ceramic Forest Ofis by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Ceramic Forest Ofis by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung is a highly esteemed winner of the very prestigious 2020 A' Design Award Bürünç Baýragy in Içki Giňişlik we Sergi Dizaýny Competition Category.

BürünçIçki Bezeg· 2020

Ceramic Forest Ofis

by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Client: Merge Interiors

A' Design Award Bürünç Baýragy Winner in Içki Bezeg Category

8,006

Verified Award Winner

Verify Award Status for #92890

View at A' Design Award Press Release Award Badge

Colors

The Design

About Ceramic Forest Ofis

Dizaýn giňligi bilen görüş üçin amatly gurşawda işläniňizde, öndürijilik ýokarlanýar, displeý we iş meýdany hem çeperçilik giňişligine öwrüldi. Openarym açyk meýdançalarda garaşsyz iş ýerleri bölünip berildi, perde diwar aýnasy tebigy ýagtylygyň aralaşmagyna we ak reňk shemasynyň ýaşaýyş güýjüni ele almaga mümkinçilik berdi, umuman giňligini optimizirlemekde ýagty we ýagty iş ýerini döretdi. içki

The Recognition

About the A' Design Award Bürünç Baýragy

Ceramic Forest Ofis A' Design Award Bürünç Baýragynyň ýeňijisidir; bu döredijilik, ussatlyk we ýiti akyl bilen tapawutlanýan tapawutly dizaýnlara berilýän aşa abraýly ykrarnamadyr. Bürünç ýeňijileri dizaýnerleriniň giň tejribesini, hyýalyny we tapawutlylygyny tassyklaýan örän ussat we geň galdyryjy derejede döredijilikli eserlerdir. Ceramic Forest Ofis uly baha berilýän, haýran galynýan we söýülýän, üns çekiji derejede hünärmenlikli we täzelikçi zat bolmagy garaşylýar. A' Design Award Bürünç Baýragyny gazanan bu dizaýn sungatda, ylymda, dizaýnda we tehnologiýada iň oňat tejribeleri öz içine alýar we jikme-jiklige edýän üni bilen ajaýypdyr. Ceramic Forest Ofis zerurlyklary ajaýyp derejede kanagatlandyrýar, isleglere degýär, duýgulary özüne çekýär we gyzyklanmany çekýär.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Dimensions & Packaging: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Tags: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
Production Technology: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Design Challenge: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Research: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Inspiration: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Project Duration: The project was completed in October 2013 in Taipei, Taiwan.
Operation Flow: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Team Members: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Image Credits: Kyle Yu Photo, 2013