Oriental Zen Sentro ng Reception ni Parn Shyr Design

Ang disenyo na Oriental Zen Sentro ng Reception ni Parn Shyr Design ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2020 A' Design Award na Bakal sa Kategoryang Paligsahan na Disenyo ng Interyor na Espasyo at Eksibisyon.

BakalInteryor· 2020

Oriental Zen Sentro ng Reception

ni Parn Shyr Design

Kliyente: PARN SHYR DESIGN Co., Ltd.

Nagwagi ng A' Design Award na Bakal sa Kategoryang Interyor

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Mga Kulay

Ang Disenyo

Tungkol sa Oriental Zen Sentro ng Reception

Ang Oriental Zen ay isang reception center sa Zhonghe District, New Taipei City, Taiwan. Sinasakop ng interior ang isang dalawang-palapag na gusali, at ginamit ang minimal design techniques upang lutasin ang hindi regular na hugis at structural limitations ng orihinal na espasyo. Isang structural column sa unang palapag ay binalot ng black painted metal at bumubuo ng pangunahing visual feature. Ang mga vertical metal lines ay nag-uugnay sa mga palapag at lumilikha ng epekto ng kagubatang kawayan. Ang mga Oriental elements tulad ng lattices, calligraphy, at isang lotus pond artwork ay pinagsama sa lighting upang ang liwanag at anino ay magkaugnay. Dinala ang berdeng landscape sa loob ng gusali.

Ang Pagkilala

Tungkol sa A' Design Award na Bakal

Ang Oriental Zen Sentro ng Reception ay nagwagi ng A' Design Award na Bakal, isang prestihiyosong pagkilalang iginagawad sa mga mahuhusay na disenyong tumutugon sa mga propesyonal at pang-industriyang kinakailangang inaasahan sa mga mahusay na pagkakadisenyong likha. Ang mga nagwagi ng Bakal ay nagpapakita ng dakilang husay, mataas na espesyalisasyon, dalubhasang pag-unawa at kakayahang malikhain ng kanilang mga lumikha. Inaasahang ang Oriental Zen Sentro ng Reception ay isang lubos na pinahahalagahan, hinahangaan at minamahal na likhang praktikal at makabago. Ang disenyong ito na nagwagi ng A' Design Award na Bakal ay nagsasama ng pinakamahuhusay na kasanayan ng industriya at may mahuhusay na katangiang teknikal na may kasamang kaalaman at talento. Ang Oriental Zen Sentro ng Reception ay iginagalang dahil sa kaingatan nito at idinisenyo upang maghatid ng mga pagpapabuti sa kalidad ng buhay na tumutulong gawing mas mabuting lugar ang mundo.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: Ingeniously utilized structure and landscape construction techniques and paired them with lighting coordination so that light and shadow are interwoven, achieving a Zen visual effect. With the addition of oriental elements such as a bamboo forest, lattices, works of calligraphy, and lotuses, an oriental-styled artistic space full of was created. At the same time, the green landscape is introduced into the interior from the outdoors, presenting a modern garden impression rich in Zen style.
Mga Sukat at Packaging: Within the main design feature on the first floor having concealed the original structural column with its painted black metallic finishing soaring upward. The sparkling white masonry floor guides into the entire first-floor space all the way in echoing with the masonry materials on both the benchtops of the sales control counter and bar area. As the vista at the reception desk area was extended through the transparent glass, the metal tubing behind exhibits a tree-like symbolism. The floor pattern in the gents and ladies' bathrooms takes after the ebony pattern in the bar area with strong visual contrast.
Mga Tag: Zen style, Green building, Forest garden, Artistic style, Orientalism
Teknolohiya sa Produksyon: With a modern and fashionable palette of Zen-style materials, such as black-color metal, darkened mirror glass, black-color crystal acetate, grey-color paint color, linear-pattern ebony, brown-color sandblasted glass, striped and monochrome carpet, linear-striped wallpaper, and snow-white-color marble, etc., they complete and complement one another very well. Basic Non-Toxic and Non-Hazardous Types: Unpolluted and slightly processed decorative materials that are natural with zero.
Hamon sa Disenyo: A bold design featuring an aesthetically embellished and revamped structural column as the main visual focus was implemented on the first floor. For the second floor, the front-end vista provided a transparent visual effect to replace originally incomplete platform that cannot bear too much weight, so as to elevate the interior as well as connected the cultural section of the second floor. The design not only brings relief to the irregularity and limitation of the original space but synergize the original landscaping element and artist calligraphy pieces in dramatically elevating the aura of culture and art.
Pananaliksik: In this project, sustainable metal building materials were utilized to form raised vertical lines, which connects every floor indoors. Also, materials such as black bake-painted metal pieces, wood pieces, smoky gray, black glass, striped carpet, wallpaper, black acrylic plates, and snow fox marble slabs were used to present modern fashion and Zen elements. In addition, the designer also made an in-depth understanding and application of green building and green building materials.
Inspirasyon: The reception center takes the theme of "Fashionable Oriental Zen" and draws inspiration from garden landscapes. The designer worked with the original structure of the two-story building and used minimalistic design techniques to cleverly resolve the irregularities and structural restrictions that existed in the space, further transforming defects into advantages, and creating a transparent and open artistic space.
Tagal ng Proyekto: Zhonghe District, New Taipei City, Taiwan
Daloy ng Operasyon: Through complementing this raised vertical line with landscape construction techniques, interior spaces on every floor are interconnected, creating a bamboo-forest-like visual effect, which stretches upward. Adding oriental elements such as a bamboo forest and lattices and combining them with lighting design presents a visual effect where light and shadow are interwoven. Calligraphy works written in the cursive script on the walls and the semi-stereoscopic lotus pond oil painting installation art construct the impression of a modern garden in the interior.
Mga Miyembro ng Koponan: Pei Chi Hung and Yung Hsi Peng
Mga Credit ng Larawan: PARN SHYR DESIGN