The Armor Pangunahing Gamit: Kasuotang Pantanghalan ni Samantha Chijona Garcia and Vladimir Cuenca

Ang disenyo na The Armor Pangunahing Gamit: Kasuotang Pantanghalan ni Samantha Chijona Garcia and Vladimir Cuenca ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2020 A' Design Award na Pilak sa Kategoryang Paligsahan na Disenyo ng Sining Pagtatanghal, Entablado, Estilo at Tanawin.

PilakSining Pagtatanghal· 2020

The Armor Pangunahing Gamit: Kasuotang Pantanghalan

ni Samantha Chijona Garcia and Vladimir Cuenca

Kliyente: Jazz Martinez Gamboa

Nagwagi ng A' Design Award na Pilak sa Kategoryang Sining Pagtatanghal

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Ang Disenyo

Tungkol sa The Armor Pangunahing Gamit: Kasuotang Pantanghalan

Ang Baluti ay isang kasuotang pantanghalan na nilikha para sa karakter na si Richard III sa isang produksyong pantanghalan ng dula ni Shakespeare. Ang kasuotan ay gawa mula sa mga muling ginamit at hindi na ginagamit na materyales. May mga linya ng metal na tinahi sa isang twill na dyaket, habang ang magkakapatong na mga leather gaiter ay bumubuo ng isang hiwalay na istrukturang pinagsama ng mga tali at hebilya na yari sa katad. Isang guwantes na chainmail ang nagsasara sa manggas, at isang sumbrerong belvet na nilinya ng mga piraso ng metal ang nagsisilbing helmet. Ang anim na bahagi ay maaaring idagdag o alisin habang nagbabago ang karakter sa loob ng dula. Ang disenyo ay sumasalamin kapwa sa hari at sa mahinang tao sa loob niya.

Ang Pagkilala

Tungkol sa A' Design Award na Pilak

Ang The Armor Pangunahing Gamit: Kasuotang Pantanghalan ay nagwagi ng A' Design Award na Pilak, isang pambihirang prestihiyosong pagkilalang iginagawad sa mga disenyong nasa pinakamataas na antas, nakabibighani at kahanga-hanga. Ang mga nagwagi ng Pilak ay mga likhang lubhang makinang at napakamalikhain na naglalarawan sa pambihirang kadalubhasaan, talento at talas ng isip ng kanilang mga tagapagdisenyo. Inaasahang ang The Armor Pangunahing Gamit: Kasuotang Pantanghalan ay isang kahanga-hangang likhang huwaran na kapansin-pansing propesyonal at malalim na makabago. Ang disenyong ito na nagwagi ng A' Design Award na Pilak ay isang lubhang kapansin-pansin at hinahangaang imbensyon na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang The Armor Pangunahing Gamit: Kasuotang Pantanghalan ay isang likhang labis na kinaiinggitan na gumigising ng mga hangarin, nagdadala ng positibong damdamin at nagpapasiklab ng pagkamangha at pagkabighani.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Mga Sukat at Packaging: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Mga Tag: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Teknolohiya sa Produksyon: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Hamon sa Disenyo: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Pananaliksik: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Inspirasyon: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Tagal ng Proyekto: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Daloy ng Operasyon: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Mga Patent: Copyrights belong to Chijona, Samantha, 2018
Mga Miyembro ng Koponan: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Mga Credit ng Larawan: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018