Looping Flower Espasyo ng Kultura ng Ikebana ni Ni Jie Guo

Ang disenyo na Looping Flower Espasyo ng Kultura ng Ikebana ni Ni Jie Guo ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2024 A' Design Award na Bronse sa Kategoryang Paligsahan na Disenyo ng Interyor na Espasyo at Eksibisyon.

BronseInteryor· 2024

Looping Flower Espasyo ng Kultura ng Ikebana

ni Ni Jie Guo

Kliyente: Blankspace

Nagwagi ng A' Design Award na Bronse sa Kategoryang Interyor

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Ang Disenyo

Tungkol sa Looping Flower Espasyo ng Kultura ng Ikebana

Ang sining ng ikebana ay isang pagmumuni-muni sa buhay sa daloy ng apat na panahon, kabilang ang sukdulang pagkuha ng mga maikling sandali sa estetika ng Hapon, ang muling pagtayo ng buhay ng bulaklak at sanga, at ang makabagong banggaan ng istruktura at estetika. Ang disenyo ng buong espasyo ay batay sa espiritu ng Kusatsuki-ryu, na kumukuha ng mga elemento mula sa tradisyonal na arkitektura ng Hapon at binabago ang mga ito sa modernong wikang arkitektural, na sinusuri ang relasyon sa pagitan ng kontemporaryong konstruksiyon at estetika sa pamamagitan ng abstract na mga elemento ng Hapon.

Ang Pagkilala

Tungkol sa A' Design Award na Bronse

Ang Looping Flower Espasyo ng Kultura ng Ikebana ay nagwagi ng A' Design Award na Bronse, isang lubhang prestihiyosong pagkilalang iginagawad sa mga natatanging disenyong nakikilala sa pagkamalikhain, katalinuhan at talas ng isip. Ang mga nagwagi ng Bronse ay mga likhang lubhang mahusay at kapansin-pansing malikhain na nagpapatunay sa malawak na karanasan, imahinasyon at pagkamaparaan ng kanilang mga tagapagdisenyo. Inaasahang ang Looping Flower Espasyo ng Kultura ng Ikebana ay isang lubos na pinahahalagahan, hinahangaan at minamahal na bagay na kapansin-pansing propesyonal at makabago. Ang disenyong ito na nagwagi ng A' Design Award na Bronse ay nagsasama ng pinakamahuhusay na kasanayan sa sining, agham, disenyo at teknolohiya, at mahusay dahil sa pansin nito sa detalye. Ang Looping Flower Espasyo ng Kultura ng Ikebana ay kahanga-hangang tumutugon sa mga pangangailangan, humahaplos sa mga hangarin, bumibighani sa damdamin at umaakit sa pag-uusisa.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Mga Sukat at Packaging: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Mga Tag: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Teknolohiya sa Produksyon: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Hamon sa Disenyo: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Pananaliksik: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspirasyon: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Tagal ng Proyekto: The project started in August 2022 and finished in December 2022 in China .
Daloy ng Operasyon: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Mga Miyembro ng Koponan: NI JIE GUO
Mga Credit ng Larawan: BLANKSPACE