Radiance of Nature with Urushi Pag-iilaw by Yu Watanabe

Radiance of Nature with Urushi Pag-iilaw by Yu Watanabe is a highly esteemed winner of the very prestigious 2024 A' Design Award na Pilak in Disenyo ng mga Produkto at Kabit na Pang-ilaw Competition Category.

PilakPag-iilaw· 2024

Radiance of Nature with Urushi Pag-iilaw

by Yu Watanabe

Client: Yu Watanabe

A' Design Award na Pilak Winner in Pag-iilaw Category

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Colors

The Design

About Radiance of Nature with Urushi Pag-iilaw

Nagmula sa natural na dagta na naani nang napapanatili mula sa Japan, ang Urushi lacquer ay inilapat sa kawayan upang lumikha ng nakababighaning espasyo sa gitna ng mga hugis na parang puno. Hindi katulad ng kulturang Kanluranin, kung saan tinatanggal ng mga tao ang mga anino sa espasyo, ang proyektong ito ay sinadyang lumilikha ng mga anino bilang bahagi ng kagandahang estetiko. Ang mga haligi ng Urushi ay makakapag-replekta ng ilaw na parang kandila sa isang madilim na silid, na nagbibigay ng nagniningning na liwanag na nagdudulot ng pakiramdam ng lalim ng kadiliman. Ang natatanging katangian ng hugis at ilaw ay lumilikha ng nakaaaliw na pakikipag-ugnayan ng mga repleksyon ng ilaw at mga anino na nag-uudyok ng mikrokosmikong espasyong nagpapaalala sa kalikasan.

The Recognition

About the A' Design Award na Pilak

Ang Radiance of Nature with Urushi Pag-iilaw ay nagwagi ng A' Design Award na Pilak, isang pambihirang prestihiyosong pagkilalang iginagawad sa mga disenyong nasa pinakamataas na antas, nakabibighani at kahanga-hanga. Ang mga nagwagi ng Pilak ay mga likhang lubhang makinang at napakamalikhain na naglalarawan sa pambihirang kadalubhasaan, talento at talas ng isip ng kanilang mga tagapagdisenyo. Inaasahang ang Radiance of Nature with Urushi Pag-iilaw ay isang kahanga-hangang likhang huwaran na kapansin-pansing propesyonal at malalim na makabago. Ang disenyong ito na nagwagi ng A' Design Award na Pilak ay isang lubhang kapansin-pansin at hinahangaang imbensyon na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang Radiance of Nature with Urushi Pag-iilaw ay isang likhang labis na kinaiinggitan na gumigising ng mga hangarin, nagdadala ng positibong damdamin at nagpapasiklab ng pagkamangha at pagkabighani.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
Dimensions & Packaging: The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare.
Tags: Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
Production Technology: Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
Design Challenge: Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
Research: Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
Inspiration: Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
Project Duration: The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
Operation Flow: Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
Image Credits: ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/