The Opposite Koleksyon ng Knitwear ni Yishu Yan

Ang disenyo na The Opposite Koleksyon ng Knitwear ni Yishu Yan ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2024 A' Design Award na Pilak sa Kategoryang Paligsahan na Disenyo ng Moda, Kasuotan at Damit.

PilakModa· 2024

The Opposite Koleksyon ng Knitwear

ni Yishu Yan

Nagwagi ng A' Design Award na Pilak sa Kategoryang Moda

662,508

Na-verify na Nagwagi ng Parangal

I-verify ang Katayuan ng Parangal para sa #157237

Bisitahin ang Site Tingnan sa A' Design Award Press Release Badge ng Parangal

Mga Kulay

Ang Disenyo

Tungkol sa The Opposite Koleksyon ng Knitwear

Ang The Opposite ay isang unisex na koleksyon ng knitwear na dinisenyo upang maisuot sa iba't ibang paraan. Ang koleksyon ay ginawa gamit ang zero-cut at zero-waste na mga pamamaraan, kaya walang telang itinatapon. Ginagamit ang digital knitting upang bumuo ng mga nababaluktot na three-dimensional na istruktura at nababagong konstruksyon ng kasuotan. Ang mga piyesa mula sa dalawang outfit ay maaaring pagpalit-palitin at itugma sa iba't ibang kombinasyon, na nagbibigay-daan sa bawat nagsusuot na lumikha ng sariling istilo. Ang all-size na disenyo ay kasya sa karamihan ng mga taong may karaniwang pangangatawan. Kinukwestiyon ng The Opposite ang mga karaniwang ideya tungkol sa kasuotang panlalaki at pambabae.

Ang Pagkilala

Tungkol sa A' Design Award na Pilak

Ang The Opposite Koleksyon ng Knitwear ay nagwagi ng A' Design Award na Pilak, isang pambihirang prestihiyosong pagkilalang iginagawad sa mga disenyong nasa pinakamataas na antas, nakabibighani at kahanga-hanga. Ang mga nagwagi ng Pilak ay mga likhang lubhang makinang at napakamalikhain na naglalarawan sa pambihirang kadalubhasaan, talento at talas ng isip ng kanilang mga tagapagdisenyo. Inaasahang ang The Opposite Koleksyon ng Knitwear ay isang kahanga-hangang likhang huwaran na kapansin-pansing propesyonal at malalim na makabago. Ang disenyong ito na nagwagi ng A' Design Award na Pilak ay isang lubhang kapansin-pansin at hinahangaang imbensyon na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang The Opposite Koleksyon ng Knitwear ay isang likhang labis na kinaiinggitan na gumigising ng mga hangarin, nagdadala ng positibong damdamin at nagpapasiklab ng pagkamangha at pagkabighani.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Mga Sukat at Packaging: This garment is an all-size design and will fit most people of average build.
Mga Tag: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Teknolohiya sa Produksyon: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Hamon sa Disenyo: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Pananaliksik: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Inspirasyon: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Tagal ng Proyekto: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Daloy ng Operasyon: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Mga Miyembro ng Koponan: Academic adviser: Kinor Jiang & Jinyun Zhou
Mga Credit ng Larawan: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova