Ginto Heneratibo · 2025
Changes Cycles and Shapes Digital na Sining
by Yuko Suzuki
- A' Design Award na Ginto 2025 in Heneratibo
- CLIENT: Feral File
- Estimated Number of Design Views: 207,093
- Verification code F514037D3D · Verify this award
Colors
About Changes Cycles and Shapes Digital na Sining
Sinisiyasat ng gawaing ito ang tanong na, Ano ang pagpipinta? sa pamamagitan ng pagpapahayag ng daloy ng mga biswal na ekspresyon. Inspirado ng mga transisyon sa mga pagpipinta ni Mondrian, ito ay nakabatay sa isang diagram ng mga sangkap ng pagpipinta, kung saan ang hugis ay gumagalaw sa pagitan ng figurative at abstract, at sa pagitan ng noise at linearity—isang ideyang inilapat sa kulay. Ang gawa ay nagpapakita ng nagbabagong estado ng digital materiality, na binibigyang-diin na ang mga anyo sa pagitan ng mga pagbabago ang esensya. Sa pamamagitan ng pagsasama ng mga texture na nai-print gamit ang baren, ipinakikita nito ang pagkakakilanlan ng artista bilang printmaker sa digital na anyo.
About the A' Design Award na Ginto
Ang Changes Cycles and Shapes Digital na Sining ay nagwagi ng A' Design Award na Ginto, isang napakaprestihiyosong pagkilalang iginagawad sa mga disenyong pangunahing-uri, kahanga-hanga at namumukod-tangi. Ang mga nagwagi ng Ginto ay mga likhang lubhang makabago, may pananaw at nakasisilaw sa karilagan na sumasalamin sa talino, karunungan at husay ng kanilang mga tagapagdisenyo. Inaasahang ang Changes Cycles and Shapes Digital na Sining ay isang lubos na pinupuri, nagtatakda-ng-uso at monumental na imbensyon na naghahatid ng walang kapantay na halaga. Ang disenyong ito na nagwagi ng A' Design Award na Ginto ay isang kahanga-hanga at iginagalang na proyekto na lubos na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang Changes Cycles and Shapes Digital na Sining ay lumilikha ng matinding damdamin ng pagnanais, gumigising ng damdamin, nagpapasigla ng pagkamalikhain at nakahuhumaling sa atin.
Press Kit
- Unique Properties
- Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form. - Dimensions & Packaging
- 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
- Tags
- Generative Art, Coding
- Production Technology
- This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next. - Design Challenge
- The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it. - Research
- This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art. - Inspiration
- In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
- Project Duration
- This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform. - Operation Flow
- In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
- Image Credits
- Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.
