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GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby by Yoko Komatsu and Hajime Tokura
GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby by Yoko Komatsu and Hajime Tokura
GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby by Yoko Komatsu and Hajime Tokura
GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby by Yoko Komatsu and Hajime Tokura
GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby by Yoko Komatsu and Hajime Tokura

Ginto Muwebles · 2026

GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby

by Yoko Komatsu and Hajime Tokura

  • A' Design Award na Ginto 2026 in Muwebles
  • CLIENT: Grand Green Osaka JV Group
  • Estimated Number of Design Views: 43,129
  • Verification code 1F87AD3302 · Verify this award
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About GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby

Matatagpuan sa Grand Green Osaka, ang 16-metrong biomorphic na bench na ito ay gawa sa Japanese oak. Ginamit ang advanced na digital fabrication upang pagsama-samahin ang mahigit 6,000 na indibidwal na bahagi tungo sa 29 na organic na yunit. Lahat ng metal na fastener ay matagumpay na naitago sa pamamagitan ng concealed joint system. Sa sculptural na public furniture na ito, pinagsama ang tradisyunal na manual na pagkakagawa sa parametric computational design. Idinisenyo ito upang gumana bilang parehong relaxing na bench at planter sa loob ng espasyo ng lobby.

About the A' Design Award na Ginto

Ang GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ay nagwagi ng A' Design Award na Ginto, isang napakaprestihiyosong pagkilalang iginagawad sa mga disenyong pangunahing-uri, kahanga-hanga at namumukod-tangi. Ang mga nagwagi ng Ginto ay mga likhang lubhang makabago, may pananaw at nakasisilaw sa karilagan na sumasalamin sa talino, karunungan at husay ng kanilang mga tagapagdisenyo. Inaasahang ang GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ay isang lubos na pinupuri, nagtatakda-ng-uso at monumental na imbensyon na naghahatid ng walang kapantay na halaga. Ang disenyong ito na nagwagi ng A' Design Award na Ginto ay isang kahanga-hanga at iginagalang na proyekto na lubos na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang GGO Biomorphic Pangunahing Gamit: Muwebles sa Lobby ay lumilikha ng matinding damdamin ng pagnanais, gumigising ng damdamin, nagpapasigla ng pagkamalikhain at nakahuhumaling sa atin.

Press Kit

Unique Properties
This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Dimensions & Packaging
Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Tags
Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Production Technology
The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Design Challenge
The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
Research
Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
Inspiration
Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Project Duration
The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
Operation Flow
Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Patents
Copyrights belong to KOKUYO Co., Ltd., 2025.
Image Credits
Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.

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