Rhythm Primary Function: Sentro ng Pagbebenta by Kris Lin is a highly esteemed winner of the very prestigious 2020 A' Design Award na Pilak in Disenyo ng Interyor na Espasyo at Eksibisyon Competition Category.
PilakInteryor· 2020
Rhythm Primary Function: Sentro ng Pagbebenta
by Kris Lin
Client: Zhongnan Group
A' Design Award na Pilak Winner in Interyor Category
Verified Award Winner
Verify Award Status for #88597The Design
About Rhythm Primary Function: Sentro ng Pagbebenta
Ang Rhythm ay isang sentro ng pagbebenta sa Changshu, China, na may lawak na 1050 metro kuwadrado. Ang simple at malayang mga kurbadong linya ang humuhubog sa disenyo ng panlabas na pader, kaya ang gusali ay lumilitaw bilang isang lumulutang na light box at bumubuo ng visual na sentro ng atensyon. Sa loob ng sentro ng pagbebenta, isang umaalon na ritmo ang nagsisilbing dekorasyon at hangganan. Ang mga anyong kulay abo at puti ay nagsasalikop upang pag-ugnayin ang mga espasyo sa una at ikalawang palapag habang hinahati ang mga ito sa mga lugar. Ilang uri ng marmol ang ginamit, at ang mga linya ng kahoy ay bumubuo ng mga geometrikong elevation na likha ng mga bihasang karpintero.
The Recognition
About the A' Design Award na Pilak
Ang Rhythm Primary Function: Sentro ng Pagbebenta ay nagwagi ng A' Design Award na Pilak, isang pambihirang prestihiyosong pagkilalang iginagawad sa mga disenyong nasa pinakamataas na antas, nakabibighani at kahanga-hanga. Ang mga nagwagi ng Pilak ay mga likhang lubhang makinang at napakamalikhain na naglalarawan sa pambihirang kadalubhasaan, talento at talas ng isip ng kanilang mga tagapagdisenyo. Inaasahang ang Rhythm Primary Function: Sentro ng Pagbebenta ay isang kahanga-hangang likhang huwaran na kapansin-pansing propesyonal at malalim na makabago. Ang disenyong ito na nagwagi ng A' Design Award na Pilak ay isang lubhang kapansin-pansin at hinahangaang imbensyon na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang Rhythm Primary Function: Sentro ng Pagbebenta ay isang likhang labis na kinaiinggitan na gumigising ng mga hangarin, nagdadala ng positibong damdamin at nagpapasiklab ng pagkamangha at pagkabighani.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Simple and free curve lines are applied to the exterior wall design. The architecture looks like a floating light box which forms a visual focus.
- Dimensions & Packaging
- area:1050㎡
- Tags
- Rhythm,Waving,Vitality, Power,Space
- Production Technology
- We several kinds of marble and the carpenters need to be very skillful as they need to use wood lines to make geometric elevations.
- Design Challenge
- Waving rhythm is applied to the interior design as the boundary. The rhythm has two functions: decoration and boundary. Grey and white rhythm interlaced with each other, which connects all the spaces at 1st and 2nd floors while separate and divide the space into areas.
- Research
- We were contracted the architectural, interior and landscape design work for this case. We want to change the old way of using horizontal, flat, vertical and straight walls to make the interior space. The geometric shape inside the building impressed the customers and promoted the sales of the project.
- Inspiration
- The reception center is mainly for business purpose, so the owner hopes its shape and style will be eye-catching by using the play of materials and lights in design.
- Project Duration
- The project started in Jan 2018 in Changshu, China and finished in JAN 2019 in Changshu, China and was exhibited in in Changshu, China Jan 2019.
- Operation Flow
- Rhythm is applied to the interior design as the boundary. The rhythm has two functions decoration and boundary. Grey and white rhythm interlaced with each other, which connects all the spaces at 1st and 2nd floors while separate and divide the space into areas.
- Patents
- Copyrights belongs to KLID (Kris Lin International Design)
- Team Members
- Kris Lin
Jiayu Yang - Image Credits
- Image #1,2,3,4,5: Photographer KLID, 2019.
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