Wonderland Panloob na Disenyo ng Exhibition Center ni Chengzhe Zhang

Ang disenyo na Wonderland Panloob na Disenyo ng Exhibition Center ni Chengzhe Zhang ay isang lubhang iginagalang na nagwagi ng napaka-prestihiyosong 2020 A' Design Award na Pilak sa Kategoryang Paligsahan na Disenyo ng Interyor na Espasyo at Eksibisyon.

PilakInteryor· 2020

Wonderland Panloob na Disenyo ng Exhibition Center

ni Chengzhe Zhang

Kliyente: Shanghai Hongshida Real Estate Development Co., LTD

Nagwagi ng A' Design Award na Pilak sa Kategoryang Interyor

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Mga Kulay

Ang Disenyo

Tungkol sa Wonderland Panloob na Disenyo ng Exhibition Center

Ang Wonderland ay isang panloob na exhibition center sa Shanghai, China. Ang disenyo ay hango sa Taoyuan Wonderland, isang landscape painting ng pintor na si Qiu Ying noong panahon ng dinastiyang Ming, at gumagamit ng mga kulay na berde, pink at puti sa isang tahimik na espasyo. Isang kulay-abong slate wall ang unang nagtatago sa tanawin, at ang pangunahing sampung metrong kataas na bulwagan ay unti-unting nalalantad habang sumusunod sa daanan. Ang gitnang daanan ay patungo sa lugar ng kumperensya, sa lugar ng eksibisyon at sa tea room. Ang mga nakatayong bookshelves at mga geometric na butas-butas na screen ay naghahati sa mga lugar. Isang nakabiting instalasyon ng higit sa 5,000 na peach petals ang inilagay nang manu-mano.

Ang Pagkilala

Tungkol sa A' Design Award na Pilak

Ang Wonderland Panloob na Disenyo ng Exhibition Center ay nagwagi ng A' Design Award na Pilak, isang pambihirang prestihiyosong pagkilalang iginagawad sa mga disenyong nasa pinakamataas na antas, nakabibighani at kahanga-hanga. Ang mga nagwagi ng Pilak ay mga likhang lubhang makinang at napakamalikhain na naglalarawan sa pambihirang kadalubhasaan, talento at talas ng isip ng kanilang mga tagapagdisenyo. Inaasahang ang Wonderland Panloob na Disenyo ng Exhibition Center ay isang kahanga-hangang likhang huwaran na kapansin-pansing propesyonal at malalim na makabago. Ang disenyong ito na nagwagi ng A' Design Award na Pilak ay isang lubhang kapansin-pansin at hinahangaang imbensyon na nakikinabang at nagpapaunlad sa mga hangganan ng sining, agham, disenyo at teknolohiya. Ang Wonderland Panloob na Disenyo ng Exhibition Center ay isang likhang labis na kinaiinggitan na gumigising ng mga hangarin, nagdadala ng positibong damdamin at nagpapasiklab ng pagkamangha at pagkabighani.

Sa Likod ng Disenyo

Press Kit

Mga kredito, miyembro ng koponan at teknikal na detalye na ibinigay ng taga-disenyo.

Mga Natatanging Katangian: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Mga Sukat at Packaging: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Mga Tag: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Teknolohiya sa Produksyon: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Hamon sa Disenyo: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Pananaliksik: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspirasyon: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Tagal ng Proyekto: The Project started in January 2018 in Shanghai China
Daloy ng Operasyon: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Mga Miyembro ng Koponan: Mingxin Lu
Yunhui Tang
Mga Credit ng Larawan: Main Image: Photographer Hai Zhu, 2018