Supernova Art Embassy tarafından tasarlanan Embrace Mekâna Özgü Duvar Resmi

Supernova Art Embassy tarafından tasarlanan Embrace Mekâna Özgü Duvar Resmi, Güzel Sanatlar ve Sanat Enstalasyonu Tasarımı Yarışma Kategorisinde son derece prestijli 2021 A' Design Award Demir Ödülü ödülünün saygın bir kazananıdır.

DemirGüzel Sanat· 2021

Embrace Mekâna Özgü Duvar Resmi

tasarımcı: Supernova Art Embassy

Müşteri: Memorandum Project

Güzel Sanat Kategorisinde A' Design Award Demir Ödülü Kazananı

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Renkler

Tasarım

Embrace Mekâna Özgü Duvar Resmi Hakkında

Embrace (Kucaklaşma), Sterlitamak'ta bir bina cephesine yapılmış, mekâna özgü bir duvar resmidir. Duvar resmi 27 metre yüksekliğinde ve 15 metre genişliğinde olup, boyanan yüzey 405 metrekaredir. Çalışmada cephe boyaları ve boya ruloları kullanılmış, cephe asansörleri sayesinde yüksekte boyama yapılabilmiştir. Sanatsal çalışma üç hafta sürmüştür. Anlatılan hikâye, cepheye giderken yanına gümüş bir cep saati alan ve onunla birlikte geri döneceğine söz veren 170. Sterlitamak piyade tümeninden bir askerin anısını yaşatmaktadır. Askerin naaşı ve saati 2015 yılında bulunmuş ve eşine, memleketine geri getirilmiştir.

Tanınırlık

A' Design Award Demir Ödülü Hakkında

Embrace Mekâna Özgü Duvar Resmi, A' Design Award Demir Ödülü kazananıdır; bu, iyi tasarlanmış yaratımlardan beklenen profesyonel ve endüstriyel gereklilikleri karşılayan iyi tasarımlara verilen prestijli bir tanınırlıktır. Demir kazananlar, yaratıcılarının büyük becerisini, yüksek uzmanlaşmasını, uzman kavrayışını ve yaratıcı kapasitesini gösterir. Embrace Mekâna Özgü Duvar Resmi, çok itibar gören, hayranlıkla izlenen ve sevilen, pratik ve yenilikçi bir yaratım olması beklenir. A' Design Award Demir Ödülü kazanan bu tasarım, sektörün en iyi uygulamalarını bütünleştirir ve bilgi birikimi ve yetenekle bağlantılı yetkin teknik özelliklere sahiptir. Embrace Mekâna Özgü Duvar Resmi titizliği nedeniyle saygı görür ve dünyayı daha iyi bir yer haline getirmeye yardımcı olan yaşam kalitesi iyileştirmeleri sunmak üzere tasarlanmıştır.

Tasarımın Perde Arkası

Basın Kiti

Tasarımcı tarafından sağlanan jenerik, ekip üyeleri ve teknik detaylar.

Benzersiz Özellikler: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Boyutlar ve Ambalaj: Height 27 m, width 15 m, total artistic painting square 405 sq.m
Etiketler: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
Üretim Teknolojisi: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Tasarım Zorluğu: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Araştırma: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
İlham: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Proje Süresi: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
İşleyiş Akışı: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Patentler: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Ekip Üyeleri: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Görsel Kredileri: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.