Hiroaki Iwasa tarafından tasarlanan Kouunji Kyakuden Tapınak Kabul Salonu

Hiroaki Iwasa tarafından tasarlanan Kouunji Kyakuden Tapınak Kabul Salonu, Mimarlık, Bina ve Yapı Tasarımı Yarışma Kategorisinde son derece prestijli 2025 A' Design Award Bronz Ödülü ödülünün saygın bir kazananıdır.

BronzMimarlık· 2025

Kouunji Kyakuden Tapınak Kabul Salonu

tasarımcı: Hiroaki Iwasa

Müşteri: Hiroaki Iwasa Architects Workshop

Mimarlık Kategorisinde A' Design Award Bronz Ödülü Kazananı

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Siteyi Ziyaret Et A' Design Award'da Görüntüle Basın Bülteni Ödül Rozeti

Renkler

Tasarım

Kouunji Kyakuden Tapınak Kabul Salonu Hakkında

Proje, Budist tapınağı Kouunji'nin tesislerinden biri olan 140 yıllık kabul salonunun yeniden inşasıdır. Eski kabul salonu uzun bir süre boyunca yerel toplum tarafından sevilmekteydi; ancak yıllar içinde uğradığı ciddi hasar nedeniyle yeniden inşa edilmesi gerekiyordu. Mimar, bu sorunları güncelleyerek ve uyumlaştırarak çözmüş, ayrıca yerel topluluğun hafızasını gelecek nesle aktarmak için bazı sistemler geliştirmiştir. Sonuç olarak, yeni kabul salonu yalnızca bir nostalji duygusu kazanmakla kalmamış, aynı zamanda tarihi bağlamda da bir varlık kazanmıştır.

Tanınırlık

A' Design Award Bronz Ödülü Hakkında

Kouunji Kyakuden Tapınak Kabul Salonu, A' Design Award Bronz Ödülü kazananıdır; bu, yaratıcılık, buluş gücü ve kurnazlıkla öne çıkan olağanüstü tasarımlara verilen son derece prestijli bir tanınırlıktır. Bronz kazananlar, tasarımcılarının engin deneyimini, hayal gücünü ve becerikliliğini doğrulayan fazlasıyla yetenekli ve çarpıcı biçimde yaratıcı nesnelerdir. Kouunji Kyakuden Tapınak Kabul Salonu, çok itibar gören, hayranlıkla izlenen ve sevilen, dikkat çekici derecede profesyonel ve yenilikçi bir nesne olması beklenir. A' Design Award Bronz Ödülü kazanan bu tasarım, sanat, bilim, tasarım ve teknolojideki en iyi uygulamaları bünyesinde barındırır ve ayrıntıya gösterdiği özenle mükemmeldir. Kouunji Kyakuden Tapınak Kabul Salonu ihtiyaçları muhteşem biçimde karşılar, arzulara dokunur, duyguları büyüler ve merakı çeker.

Tasarımın Perde Arkası

Basın Kiti

Tasarımcı tarafından sağlanan jenerik, ekip üyeleri ve teknik detaylar.

Benzersiz Özellikler: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Boyutlar ve Ambalaj: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Etiketler: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Üretim Teknolojisi: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Tasarım Zorluğu: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Araştırma: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
İlham: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Proje Süresi: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
İşleyiş Akışı: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Görsel Kredileri: Photographer Kozo Takayama