Yoko Komatsu and Hajime Tokura tarafından tasarlanan GGO Biomorphic Birincil İşlev: Lobi Mobilyası

Yoko Komatsu and Hajime Tokura tarafından tasarlanan GGO Biomorphic Birincil İşlev: Lobi Mobilyası, Mobilya Tasarımı Yarışma Kategorisinde son derece prestijli 2026 A' Design Award Altın Ödülü ödülünün saygın bir kazananıdır.

AltınMobilya· 2026

GGO Biomorphic Birincil İşlev: Lobi Mobilyası

tasarımcı: Yoko Komatsu and Hajime Tokura

Müşteri: Grand Green Osaka JV Group

Mobilya Kategorisinde A' Design Award Altın Ödülü Kazananı

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Doğrulanmış Ödül Kazananı

#180101 için Ödül Durumunu Doğrula

Siteyi Ziyaret Et A' Design Award'da Görüntüle Basın Bülteni Ödül Rozeti

Renkler

Tasarım

GGO Biomorphic Birincil İşlev: Lobi Mobilyası Hakkında

Kitap Metni: Grand Green Osaka'da yer alan bu 16 metrelik biyomorfik bank, Japon meşesinden üretilmiştir. Gelişmiş dijital üretim teknikleri kullanılarak 6.000'den fazla ayrı parça 29 organik üniteye birleştirilmiştir. Tüm metal bağlantı elemanları, gizli bir birleştirme sistemiyle başarıyla saklanmıştır. Bu heykelsi kamusal mobilyada, geleneksel el işçiliği parametrik hesaplamalı tasarımla harmanlanmıştır. Lobi alanında hem dinlendirici bir bank hem de saksılık olarak işlev görecek şekilde tasarlanmıştır.

Tanınırlık

A' Design Award Altın Ödülü Hakkında

GGO Biomorphic Birincil İşlev: Lobi Mobilyası, A' Design Award Altın Ödülü kazananıdır; bu, birinci sınıf, harika ve olağanüstü tasarımlara verilen son derece prestijli bir tanınırlıktır. Altın kazananlar, tasarımcılarının dehasını, bilgeliğini ve ustalığını yansıtan son derece yenilikçi, vizyoner ve göz kamaştırıcı yaratımlardır. GGO Biomorphic Birincil İşlev: Lobi Mobilyası, eşi görülmemiş değer sunan, çok övülen, çığır açan ve anıtsal bir buluş olması beklenir. A' Design Award Altın Ödülü kazanan bu tasarım, sanat, bilim, tasarım ve teknolojinin sınırlarına büyük fayda sağlayan ve onları ilerleten muhteşem, saygın bir projedir. GGO Biomorphic Birincil İşlev: Lobi Mobilyası yoğun arzu duyguları yaratır, tutku uyandırır, yaratıcılığı teşvik eder ve bizi cezbeder.

Tasarımın Perde Arkası

Basın Kiti

Tasarımcı tarafından sağlanan jenerik, ekip üyeleri ve teknik detaylar.

Benzersiz Özellikler: This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Boyutlar ve Ambalaj: Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Etiketler: Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Üretim Teknolojisi: The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Tasarım Zorluğu: The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
Araştırma: Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
İlham: Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Proje Süresi: The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
İşleyiş Akışı: Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Patentler: Copyrights belong to KOKUYO Co., Ltd., 2025.
Ekip Üyeleri: Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao
Görsel Kredileri: Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.