Ryumei Fujiki and Yukiko Sato tarafından tasarlanan Porous Manifold Japon Çay Salonu

Ryumei Fujiki and Yukiko Sato tarafından tasarlanan Porous Manifold Japon Çay Salonu, Güzel Sanatlar ve Sanat Enstalasyonu Tasarımı Yarışma Kategorisinde son derece prestijli 2019 A' Design Award Gümüş Ödülü ödülünün saygın bir kazananıdır.

GümüşGüzel Sanat· 2019

Porous Manifold Japon Çay Salonu

tasarımcı: Ryumei Fujiki and Yukiko Sato

Müşteri: F.A.D.S + Fujiki Studio, KOU::ARC

Güzel Sanat Kategorisinde A' Design Award Gümüş Ödülü Kazananı

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Tasarım

Porous Manifold Japon Çay Salonu Hakkında

Bu, Echigo-tsumari Sanat Trienali 2018'de sergilenen geçici bir Japon çay salonudur ve on fit kareye gömülü iki tatami alanı ile iç içe geçmiş bir yapıya sahiptir. Bu sergide mimarlardan 20. yüzyılda egemen olan homojen mekan kavramının nasıl aşılacağı temasına yanıt vermeleri istendi. İskelet, homojen uzayı bozmak için Voronoi Bölümü adı verilen rastgele desen kullanılarak tasarlandı. Ve mimarinin, bir canlı gibi dışarıyla iletişim kurmak için gerektiğinde açılıp kapanabilen çok sayıda delik olması önerildi.

Tanınırlık

A' Design Award Gümüş Ödülü Hakkında

Porous Manifold Japon Çay Salonu, A' Design Award Gümüş Ödülü kazananıdır; bu, göz alıcı, yüce ve etkileyici birinci sınıf tasarımlara verilen olağanüstü prestijli bir tanınırlıktır. Gümüş kazananlar, tasarımcılarının olağanüstü uzmanlığını, yeteneğini ve keskin zekasını gösteren son derece parlak ve çok yaratıcı eserlerdir. Porous Manifold Japon Çay Salonu, harika, örnek gösterilen, dikkat çekici derecede profesyonel ve derinlemesine yenilikçi bir eser olması beklenir. A' Design Award Gümüş Ödülü kazanan bu tasarım, sanat, bilim, tasarım ve teknolojinin sınırlarına fayda sağlayan ve onları ilerleten oldukça dikkat çekici, beğenilen bir buluştur. Porous Manifold Japon Çay Salonu, büyük kıskançlıkla bakılan, arzuları uyandıran, olumlu duygular getiren ve şaşkınlık ve hayranlık uyandıran bir yaratımdır.

Tasarımın Perde Arkası

Basın Kiti

Tasarımcı tarafından sağlanan jenerik, ekip üyeleri ve teknik detaylar.

Benzersiz Özellikler: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Boyutlar ve Ambalaj: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Etiketler: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Üretim Teknolojisi: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Tasarım Zorluğu: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Araştırma: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
İlham: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Proje Süresi: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
İşleyiş Akışı: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patentler: F.A.D.S + Fujiki Studio, KOU::ARC
Ekip Üyeleri: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Görsel Kredileri: Masahiro Hoshida, Fujiki Studio, KOU::ARC