Urszula Giren tarafından tasarlanan The Birth of a Book Kitap

Urszula Giren tarafından tasarlanan The Birth of a Book Kitap, Baskı ve Yayınlanmış Medya Tasarımı Yarışma Kategorisinde son derece prestijli 2020 A' Design Award Altın Ödülü ödülünün saygın bir kazananıdır.

AltınBaskı· 2020

The Birth of a Book Kitap

tasarımcı: Urszula Giren

Müşteri: Urszula Gireń

Baskı Kategorisinde A' Design Award Altın Ödülü Kazananı

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Doğrulanmış Ödül Kazananı

#97144 için Ödül Durumunu Doğrula

Siteyi Ziyaret Et A' Design Award'da Görüntüle Basın Bülteni Ödül Rozeti

Renkler

Tasarım

The Birth of a Book Kitap Hakkında

Bir Kitabın Doğuşu, 16. yüzyıl Polonya'sındaki kitap tasarımını konu alan basılı bir yayındır. Kitap, eski baskıları gerçek boyutlarında sunar; böylece okuyucular özgün formatları görebilir. Şömiz, eski oktavo formatında kullanılan forma düzeni (tabaka yerleştirme) yöntemini gösterir. Kurdele ayraç ise folyo, kuarto ve oktavo kitapların yüksekliklerini işaretler. Başlık sayfalarındaki ağaç baskılar, siyah mürekkeple kaplı kalıpları çağrıştıracak şekilde renk tersine çevrilerek basılmıştır. Format 256 x 320 milimetre olup, 560 sayfa ve yaklaşık 1200 görsel içerir. Amaç, Rönesans dönemi baskı yöntemlerini geniş bir okuyucu kitlesine anlatmaktır.

Tanınırlık

A' Design Award Altın Ödülü Hakkında

The Birth of a Book Kitap, A' Design Award Altın Ödülü kazananıdır; bu, birinci sınıf, harika ve olağanüstü tasarımlara verilen son derece prestijli bir tanınırlıktır. Altın kazananlar, tasarımcılarının dehasını, bilgeliğini ve ustalığını yansıtan son derece yenilikçi, vizyoner ve göz kamaştırıcı yaratımlardır. The Birth of a Book Kitap, eşi görülmemiş değer sunan, çok övülen, çığır açan ve anıtsal bir buluş olması beklenir. A' Design Award Altın Ödülü kazanan bu tasarım, sanat, bilim, tasarım ve teknolojinin sınırlarına büyük fayda sağlayan ve onları ilerleten muhteşem, saygın bir projedir. The Birth of a Book Kitap yoğun arzu duyguları yaratır, tutku uyandırır, yaratıcılığı teşvik eder ve bizi cezbeder.

Tasarımın Perde Arkası

Basın Kiti

Tasarımcı tarafından sağlanan jenerik, ekip üyeleri ve teknik detaylar.

Benzersiz Özellikler: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Boyutlar ve Ambalaj: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Etiketler: renaissance book, first roman typefaces, old prints, typography
Üretim Teknolojisi: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Tasarım Zorluğu: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Araştırma: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
İlham: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Proje Süresi: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
İşleyiş Akışı: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Görsel Kredileri: Urszula Gireń / 2019