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Grace Зал Кресло by Daniel Devadder
Grace Зал Кресло by Daniel Devadder
Grace Зал Кресло by Daniel Devadder
Grace Зал Кресло by Daniel Devadder
Grace Зал Кресло by Daniel Devadder

Алтын Мебель · 2023

Grace Зал Кресло

by Daniel Devadder

  • A' Design Award Алтын бүләге 2023 in Мебель
  • CLIENT: Daniel Devadder Interior Design
  • Estimated Number of Design Views: 300,358
  • Verification code EBA9346BAA · Verify this award
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About Grace Зал Кресло

Мәрхәмәт - бер сүз тасвирлый алмаган хисләрне тәрҗемә итүче дизайн. Бу форма һәрвакыт функциягә туры килми, ләкин эмоциягә иярә белергә тиеш дигән ышаныч белән берлектә. Нәтиҗә - 3D басма рамкадан ясалган скульптурага охшаган дизайн, өстәмә уңайлык өчен өлешчә күбек белән капланган һәм эластик, ләкин ныклы тукыма. Эстетик күзлектән караганда, аның нәфислеге һәм формасы бар, ул ничектер вакытсыз. Ул төрле бизәкләргә һәм материалларга туры килә һәм төрле мохиткә кушылырга мөмкин: кунакханә фойесында югары кулланудан алып, шәхси йорттагы җиһазларга кадәр.

About the A' Design Award Алтын бүләге

Grace Зал Кресло – A' Design Award Алтын бүләге җиңүчесе, бу гаять абруйлы танып белү, ул беренче класслы, тансык һәм күренекле дизайннарга бирелә. Алтын җиңүчеләре – үз дизайнерларының талантын, зирәклеген һәм осталыгын чагылдыручы бик яңа, киң карашлы һәм ялтырап торучы иҗат җимешләре. Grace Зал Кресло чагыштыргысыз кыйммәт китерүче бик мактаулы, тенденция билгеләүче һәм монументаль уйлап табу булыр дип көтелә. A' Design Award Алтын бүләге җиңүче бу дизайн – сәнгать, фән, дизайн һәм технология чикләрен зур файда белән киңәйтүче искиткеч һәм хөрмәтле проект. Grace Зал Кресло көчле теләк хисләрен тудыра, дәрт уята, иҗатны рухландыра һәм безне кызыксындыра.

Press Kit

Unique Properties
Grace provides a certain wow factor and the way it is interpreted changes from person to person, from feeling to feeling, making it a unique experience.
An experience that will always be linked to your thoughts and how you feel.
Dimensions & Packaging
Width 900mm x Depth 910mm x Height 680mm
Tags
Furniture, chair, productdesign, lounge, seating, indoor, organic, 3Dprint, stereolithography, Belgium
Production Technology
3D printed structure. The material used is called Tusk SolidGrey3000 which is the world's first Stereolithography material that combines a high degree of stiffness with high impact resistance, available exclusively at Materialise.
The chair was tested from 2000N to 6000N. The displacement in the seating area ranges from 2mm to 5mm (for 2000N and 6000N respectively) and 3.5mm to 11mm at the top of the back rest.

The fabric used for the manual upholstery is Tonus 4, colour 0610, from Kvadrat because of its flexibility and durability. On the outsides of the design, high resilience foam is used for added comfort.
Design Challenge
Finding a material that could follow the shapes while having the strength and rigidity to support the weight of an adult without deforming.

He wanted to use a fully recycled plastic to 3D print the design. However, this was not yet possible with the available materials, which at the same time had to meet the necessary strength requirements, etc.

He had the chair upholstered. Even though an elaboration without any upholstery would be perfectly conceivable.

If a pattern would be cut by machine, some details from the upholstery could be finished in a more refined way.
Research
The design arises as a reflection of emotions that you cannot capture with a simple word, but rather express through a movement, a certain flow. The spiritual, indescribable and mysterious is what resulted in the design.
Inspiration
Grace was a way to translate feelings and emotions a single word can not describe.

Inspired by nature with its complexity hidden behind elegant and flawless forms.

This in combination with the conviction that form doesn't and shouldn't always follow function, but rather should be able to follow emotion. They merge together. It's something you strongly see in dance. Ballet and tango for example. Translating emotions and feelings by transcending oneself in a form or movement.
Project Duration
End of December 2020: First sketch.
January 2021: First digital plans.
June 17, 2021: 3D printed structure was delivered.
March 11, 2022: Collection of the fully upholstered and finished chair in Antwerp.
Operation Flow
As you walk around it, from every angle you discover something new that changes the interpretation of what you see. Some may recognise a bird, a plant, a child may think of a ghost. This gives the design a certain personality and soul.

It has an elegance and form that somehow is timeless. It could go with different finishes and materials and fit in different settings. From high-end use in the lobby of a hotel to furniture in a private home.
Even when not in use, the design leaves behind a kind of sculpture that enhances the space it resides in.
Image Credits
Ypsilon Business Photography, 2022

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