Random Puff 4Д Чигү Киеме by Rosalie Hsin-Ju Lin

Random Puff 4Д Чигү Киеме by Rosalie Hsin-Ju Lin is a highly esteemed winner of the very prestigious 2023 A' Design Award Тимер бүләге in Тукыма, Матдә, Текстура, Узор һәм Киемлек Дизайны Competition Category.

ТимерТукыма· 2023

Random Puff 4Д Чигү Киеме

by Rosalie Hsin-Ju Lin

Client: MIT Media Lab

A' Design Award Тимер бүләге Winner in Тукыма Category

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Verified Award Winner

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Colors

The Design

About Random Puff 4Д Чигү Киеме

RandomPuff - кием изоляциясе өчен 4D чигү паффаларын кулланган роман паффер. Паффлар башта яссы ясалганнар һәм җылылыкка эләккәндә гөмбәзләргә керәләр. Тәнне җылы тоту өчен, активлашкан паффлар тышкы мохит белән киемче арасында һаваны каплыйлар. Developmentсеш «актив җепселләр» һәм «статик тукымалар» арасында 4D чигү материалы үзара бәйләнешле китапханә булдыруны үз эченә ала. Дизайнерлар һәм уйлап табучылар исәпләү дизайны коралларын кулланып, соңгы кулланучылар белән берлектә, югары технологияле мода, персональләштерелгән һәм тотрыклы булган яңа текстиль һәм йомшак дизайннар булдыралар.

The Recognition

About the A' Design Award Тимер бүләге

Random Puff 4Д Чигү Киеме – A' Design Award Тимер бүләге җиңүчесе, бу яхшы эшләнгән иҗат җимешләреннән көтелгән профессиональ һәм сәнәгать таләпләренә җавап бирә торган яхшы дизайннарга бирелә торган абруйлы танып белү. Тимер җиңүчеләре үз авторларының зур осталыгын, югары махсуслашуын, белгечләрчә аңлавын һәм иҗади сәләтен күрсәтә. Random Puff 4Д Чигү Киеме югары бәяләнгән, соклана торган һәм яратыла торган, практик һәм яңа иҗат җимеше булыр дип көтелә. A' Design Award Тимер бүләге җиңүче бу дизайн тармакның иң яхшы практикасын берләштерә һәм белем һәм талант белән бәйләнгән компетентлы техник үзлекләргә ия. Random Puff 4Д Чигү Киеме җентеклелеге өчен хөрмәтләнә һәм дөньяны яхшырак урынга әйләндерергә булышучы тормыш сыйфатын яхшырту өчен эшләнгән.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Random Puff is a garment application leveraging the puffy transformation that traps air within the dome pocket to keep the body warm. The double curvature geometry becomes easily fabricated, and personalizable styling is available through the computational design process, which opens up a new design/manufacturing space for a puffy garment.
Dimensions & Packaging: 500mm x 30mm x 700mm. However, since it's a garment, it can be fold into the size of 300mm x 20mm x 200mm.
Tags: 4D embroidery
Production Technology: Heat-shrink thread. Neoprene. Machine embroidery. Processing visualizer.
Design Challenge: First, the force balance between active thread and static fabric is a fundamental challenge. There is too much fabric out there with labeled information that does not necessarily lead to our purpose. Second, tension issues happen when new threads or fabric are introduced to the machine. It takes a while to calibrate, and sometimes break the machine if the thread is too thick/thin, or the fabric is too thick/slippery/crispy. Third, to achieve the maximized bi-layer bending, we want to vary the force on both sides so that the inner side does not constraint the outer side.
Research: Research background:
This research demonstrates how machine embroidery with heat-shrinking fibers enables existing fabrics to be augmented with morphing fibers.

Methods/Tools:
Similar to sewing, embroidery is a technique of interlacing upper and bottom threads with the substrate in between, but digitally. For the hardware, a desktop, hobbyist embroidery machine can easily execute wanted samples. For the software, I mainly explored PEmbroidery and Inkstitch for different purposes. PEmbroider is an open-source library housed in Processing that offers a procedural coding environment to generate detailed embroidered files at point and line levels. Inkstitch is also an open-source plug-in embedded in Inkscape that provides a graphical user interface, which is more friendly for primary users.

Results/Insight:
I started off the material characterization by testing different substrates with the same embroidery parameters. Out of 10+ fabrics, fabrics that are lightweight with high springness can hold the morphed structure better. A series of embroidery parameters were also tested systematically with stroke width, density, peak-to-peak distance, stitch spacing, and threading material. The fiber actuator can be tuned from crease(low res) to bend(high res) in a linear pattern. The fiber can be arranged in curves, origami creases, or arbitrary shapes to form more complex pop-up geometry.
Inspiration: Working at a NIKE shoe industry, I realized the challenge of transformation between 3D to 2D or vice versa. There's still no clear solution for the tedious, laborious, wasteful process from prototyping to production.

Working as a R&D at a carbon fiber company, I got to witness the power of machine embroidery, where it can digitally place fibers. This way, it can reinforce the artifact in any direction, replace the lamination thus reducing the material waste, and digitalize the process from start to end.
Project Duration: The project started in September 2021 and finished in December 2021 in Cambridge, MA, United States.
Operation Flow: First, a closed-curve set of circles, squares, or other arbitrary shapes is generated within the area of a 2D clothing. Second, the design file will be translated to an embroidery file via Processing, a visual output, and procedural coding environment. Third, upload the file to a desktop hobbyist embroidery machine and start embroidery. Lastly, the garment comes out flat from the machine and users can customize where to activate the puffs by heating the embroidery pattern with a steamer or iron.
Team Members: Rosalie Hsin-Ju Lin
Skylar Tibbits
Jack Forman
Hiroshi Ishii
Image Credits: All IP, copyright, images, video credits belong to Rosalie Hsin-Ju Lin.