Mariusz Szypura авторлыгында Chopin Residue Төп функция: Музыкаль альбом тышлыгы

Mariusz Szypura авторлыгындагы Chopin Residue Төп функция: Музыкаль альбом тышлыгы — Упаковка Дизайны ярыш категориясендә бик абруйлы 2026 A' Design Award Бронза бүләге лауреаты.

БронзаУпаковка· 2026

Chopin Residue Төп функция: Музыкаль альбом тышлыгы

автор: Mariusz Szypura

Заказчы: Black Element Label

Упаковка категориясендә A' Design Award Бронза бүләге лауреаты

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Төсләр

Дизайн

Chopin Residue Төп функция: Музыкаль альбом тышлыгы турында

Китап тексты: Альбом кушымталарында тәкъдим ителгән сәнгать әсәрләре токарь виниль кисү процессы вакытында барлыкка килгән җеп калдыкларыннан — уемның физик негативыннан — ясалган зур форматлы әсәрләр сериясен документлаштыра. Дизайн тартманы музыканың дәвамы буларак карый, тавышны, материалны һәм процессны бердәм физик объектта берләштерә. Альбом Фридерик Шопен әсәрләрен Portishead, Sonic Youth, Battles, Beck, David Bowie һәм Tortoise белән бәйле сәнгатькәрләр ярдәмендә яңача аңлатып бирә.

Таныш

A' Design Award Бронза бүләге турында

Chopin Residue Төп функция: Музыкаль альбом тышлыгы – A' Design Award Бронза бүләге җиңүчесе, бу иҗат, зирәклек һәм үткенлек белән аерылып торган күренекле дизайннарга бирелә торган бик абруйлы танып белү. Бронза җиңүчеләре – үз дизайнерларының киң тәҗрибәсен, фантазиясен һәм тапкырлыгын раслаучы бик остаз һәм искиткеч иҗади артефактлар. Chopin Residue Төп функция: Музыкаль альбом тышлыгы югары бәяләнгән, соклана торган һәм яратыла торган, игътибарга лаеклы профессиональ һәм яңа әйбер булыр дип көтелә. A' Design Award Бронза бүләге җиңүче бу дизайн сәнгатьтә, фәндә, дизайнда һәм технологиядә иң яхшы практиканы үз эченә ала һәм детальләргә игътибарлылыгы белән искиткеч. Chopin Residue Төп функция: Музыкаль альбом тышлыгы ихтыяҗларны искиткеч канәгатьләндерә, теләкләргә кагыла, хисләрне сокландыра һәм кызыксынуны җәлеп итә.

Дизайн артында

Матбугат комплекты

Дизайнер тәкъдим иткән кредитлар, команда әгъзалары һәм техник детальләр.

Уникаль үзенчәлекләр: The cover of Chopin Residue is generated from the album’s core idea: residue as what remains after deconstruction. Created through the same lathe-cut process that produces the sound, the artwork uses vinyl waste as its visual material. Reinterpreting the music of Fryderyk Chopin with artists linked to projects such as Portishead, Sonic Youth, Battles, Beck, David Bowie, and Tortoise, the package becomes a physical extension of the composition, uniting sound, material, and process.
Үлчәмнәр һәм упаковка: Physical formats include: Vinyl LP sleeve approx. 315 x 315 x 5 mm; CD digipack approx. 142 x 125 x 10 mm; cassette case approx. 110 x 70 x 17 mm. All formats were designed as tactile objects, with dimensions following industry standards to emphasize material presence and consistency across editions.
Тегләр: residue concept, album packaging design, lathe-cut vinyl, material-driven design, experimental music artwork, process-based design, sound as material, physical music object
Җитештерү технологиясе: The design was developed through a process-based methodology, treating sound recording as a material practice. Vinyl shavings produced during the lathe-cut process were collected, preserved, and used to create physical artworks. These works were then photographed and translated into the album packaging. The production emphasized minimal intervention, tactile materials, and small-batch manufacturing, allowing process and material to define the visual language.
Дизайн бирелмәсе: The main challenge was translating an abstract musical concept into a physical object without illustration or decoration. Internally, this required rethinking historical album design and treating sound production as material practice. Externally, limitations included small-scale manufacturing, legal constraints of physical formats, and the unpredictability of lathe-cut processes. Balancing conceptual clarity with technical constraints required continuous testing and adaptation.
Тикшеренү: Type of Research: practice-based artistic research.
Research Objectives: to translate musical deconstruction into physical form.
Methodology: sound recording treated as a material process.
Data & Tools: lathe-cut vinyl recording, material observation, photography.
Participants: the artist and collaborating musicians.
Results: vinyl residue became visual material.
Insights & Impact: the research links sound, object, and design, showing how production traces can shape meaning in music packaging and contemporary design.
Илһам: The project was inspired by the idea of residue as a creative outcome - what remains after a process of reduction and transformation. The design emerged from research into lathe-cut vinyl as a physical recording method, treating sound production as material practice. The motivation was to translate an abstract musical concept into a tangible object, where recording, waste, and form become a unified design language.
Проект озынлыгы: The project was developed between 2023 and 2025. Music recording and vinyl cutting were carried out during this period, followed by the creation of the visual artworks and packaging design. The album and its physical editions were completed and released in November 2025, accompanied by exhibitions in NY and Osaka and presentations of the related artworks.
Эш процессы: The object is experienced by opening, holding, and listening. The package reveals the music while visually showing traces of how it was made. Images and materials guide the user from sound to its physical remains. Interaction is slow and tactile, encouraging attention and reflection. By connecting listening with touch and sight, the object creates a deeper, more memorable experience than a standard album cover.
Патентлар: Copyrights belong to Mariusz Szypura, 2025
Рәсем авторлары: Image #1: Photo by TAKT, Chopin Residue, 2025.
Image #2: Photo by TAKT, Chopin Residue, 2025.
Image #3: Photo by TAKT, Chopin Residue, 2025.
Image #4: Photo by TAKT, Chopin Residue, 2025.
Image #5: Photo by TAKT, Chopin Residue, 2025.

Video Credits: Concept, Direction, Music, and Visuals by Mariusz Szypura, 2025.