Ryumei Fujiki and Yukiko Sato авторлыгында Porous Manifold Япон Күз Яше

Ryumei Fujiki and Yukiko Sato авторлыгындагы Porous Manifold Япон Күз Яше — Матур Сәнгать һәм Сәнгать Инсталляциясе Дизайны ярыш категориясендә бик абруйлы 2019 A' Design Award Көмеш бүләге лауреаты.

КөмешМатур Сәнгать· 2019

Porous Manifold Япон Күз Яше

автор: Ryumei Fujiki and Yukiko Sato

Заказчы: F.A.D.S + Fujiki Studio, KOU::ARC

Матур Сәнгать категориясендә A' Design Award Көмеш бүләге лауреаты

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Төсләр

Дизайн

Porous Manifold Япон Күз Яше турында

Бу Echigo-tsumari Art Triennale 2018 күргәзмәсендә вакытлыча япон күз яше һәм ун аяк мәйданда урнаштырылган ике татами мәйданы булган оя корылган. Бу күргәзмәдә архитекторларга ХХ гасырда өстенлек иткән бертөрле киңлек төшенчәсен ничек җиңәргә дигән темага җавап бирүләрен сорадылар. Скелет бертөрле киңлекне бозу өчен Вороной дивизиясе дип аталган очраклы үрнәк ярдәмендә эшләнгән. Theәм архитектурада күп санлы тишекле архитектура, тере әйбер кебек тышкы яктан аралашу өчен кирәк булганда ачылырга һәм ябылырга мөмкин иде.

Таныш

A' Design Award Көмеш бүләге турында

Porous Manifold Япон Күз Яше – A' Design Award Көмеш бүләге җиңүчесе, бу гадәттән тыш абруйлы танып белү, ул югары класслы, чибәр һәм тәэсирле дизайннарга бирелә. Көмеш җиңүчеләре – үз дизайнерларының искиткеч белемен, талантын һәм үткенлеген күрсәтүче бик ялтыравыклы һәм иҗади эшләр. Porous Manifold Япон Күз Яше искиткеч, үрнәк булырлык, игътибарга лаеклы профессиональ һәм тирән яңалыклы әсәр булыр дип көтелә. A' Design Award Көмеш бүләге җиңүче бу дизайн – сәнгать, фән, дизайн һәм технология чикләрен алга җигүче файдалы, югары бәяләнгән уйлап табу. Porous Manifold Япон Күз Яше – күпләрнең көнләшкән, теләкләрне уятучы, уңай хисләр китерүче һәм хәйранлык һәм гаҗәпләнү тудыручы иҗат җимеше.

Дизайн артында

Матбугат комплекты

Дизайнер тәкъдим иткән кредитлар, команда әгъзалары һәм техник детальләр.

Уникаль үзенчәлекләр: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Үлчәмнәр һәм упаковка: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Тегләр: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Җитештерү технологиясе: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Дизайн бирелмәсе: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Тикшеренү: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Илһам: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Проект озынлыгы: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Эш процессы: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Патентлар: F.A.D.S + Fujiki Studio, KOU::ARC
Команда әгъзалары: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Рәсем авторлары: Masahiro Hoshida, Fujiki Studio, KOU::ARC